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Kehlani Gets Emotional During Career-Spanning NPR Tiny Desk Show: ‘It’s Been a Long Time Coming’

The sultry five-song set hit everything from the singer's 2016 Grammy-nominated album to a summery track from latest LP, "CRASH."

Kehlani: Tiny Desk Concert

Kehlani: Tiny Desk Concert

NPR

Kehlani‘s been waiting for this moment for a long, long time. After easing the audience in with the smooth R&B of “Nights Like This” from their 2019 mixtape While We Wait, the Oakland-bred vocalist — backed by a full live band and three back-up singers — told the public radio audience crammed in around her about the journey to this special moment.

“Hi everyone. Thank you for coming and tuning in to my Tiny Desk. It’s been a long time coming. I definitely know I’m overdue for doing this so thank you for making sure I was able to get here this far along in my process,” they said before easing into the 2016 Grammy-nominated jazzy slow jam “Distraction” from her debut album, SweetSexySavage.


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Next up was the sexy soul burner “Can I” the fourth single from Kehlani’s second album, 2020’s It Was Good Until It Wasn’t, on which she sings, “This s–t’s so good, should be illegal/ Need round two, I need a sequel/ Hit the backboard like a free throw/ You next level, you a cheat code.” Taking a break to chat up the gathered NPR staffers, Kehlani stumbled over their words, admitting they were “naturally shy” and kind of nervous — which is why it took so long to pull up to the Desk — as they made a political statement.

“I want to take a second to say: Free Palestine. Free Congo. Free Sudan. Free Yemen. Free Hawaii. Free Guam,” said the vocalist who announced in June that she’d raised more than $555,000 in aid for the Palestinian people and citizens of war-torn Sudan and Congo with the sale of shirts from her “Next 2 U” single. “Beyond a cease fire we need an end to the occupation. It’s deeper than this. I need everybody that’s here right now, everybody that’s watching, to step up, to use their voices.”

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The set then came to close with the jaunty “After Hours” from Kehlani’s most recent album, CRASH.

Watch Kehlani’s Tiny Desk Concert below.

This article was originally published by Billboard U.S.

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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