advertisement
Rb Hip Hop

J. Cole Admits ‘Feeling of Surpassment’ After Kendrick Released ‘Good Kid, M.A.A.D City,’ Shares More Unreleased Collabs

Cole and his manager Ib played two songs, one of which was produced by Oddisee.

J. Cole performs onstage during Lil Baby & Friends Birthday Celebration at State Farm Arena on December 27, 2023 in Atlanta, Georgia.

J. Cole performs onstage during Lil Baby & Friends Birthday Celebration at State Farm Arena on December 27, 2023 in Atlanta, Georgia.

Prince Williams/WireImage

On the latest episode of his Inevitable podcast, J. Cole and his manager Ibrahim “Ib” Hamad played a couple more unreleased tracks by Cole and Kendrick Lamar while also recalling his immediate reaction to hearing some of Kendrick’s sophomore album, Good Kid, M.A.A.D City, for the first time.

According to the North Carolina rapper, the pair recorded some of their collaborations when Drake‘s Club Paradise Tour came into town back in 2012. “He came to Fayetteville and we worked on that studio bus for two or three days,” Cole recalled. “Before, I had sent him joints, but this was the first time we actually got to lock in and work on sh—t. And that sh—t was so fun, dawg… It felt like when your cousin would come over to your house.”


advertisement

Ib played two tracks, both untitled, and one of which was produced by D.C.-based rapper and producer Oddisee, while the other features Cole somewhat borrowing Project Pat‘s unique flow in pockets.

Cole also talked about Dot playing him GKMC songs before it dropped during those same sessions and that he felt pressure after it was released. “When Kendrick’s album dropped, the journey got harder, the mountain got steeper. Because similar to when [So Far Gone] dropped, where it was like, ‘Oh sh—t, there’s another person out there that has the same ambitions as me,’ it happened like that with Kendrick.” Adding, “It was a feeling of surpassment. It was two indicators that told me. His first-week numbers were more than mine. The other thing was we had a show where we were both on the same lineup… and I went before him and he went after me.”

J. Cole first opened the vault on episode four of his “audio series” podcast and played “Shock the World” and “Temptation”, both featuring Lamar.

advertisement

You can listen to Inevitable here.

This article was originally published by Billboard U.S.

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement