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Music News

How to Find Your 2024 Spotify Wrapped

Spotify Wrapped is back with brand new features.

Illustration by Pavlo Gonchar/SOPA Images/LightRocket via Getty Images
Illustration by Pavlo Gonchar/SOPA Images/LightRocket via Getty Images

As we look toward 2025, ’tis the season to look back at your 2024 music listening habits with Spotify Wrapped, the annual breakdown of how you’ve been individually listening to music throughout the year.

While Spotify Wrapped is available for anyone with an account, sometimes, it can be hard to find. Don’t worry, though, Billboard‘s got your back. As usual, the 2024 Spotify Wrapped will be Spotify mobile app, which you can download at Spotify.com/Wrapped. Make sure you have the latest version, which you’ll need to access Wrapped. Just like last year, the platform is making Wrapped available via desktop and mobile, also at Spotify.com/Wrapped.


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Once you’ve logged in, your personalized look back at 2024 should appear at the top of your home screen. After watching and learning about your listening habits throughout the year, you’ll be able to share your Wrapped results to social media to show off to your friends.

This year’s edition rolled out on Wednesday morning (Dec. 4) and, no surprise, Taylor Swift and Sabrina Carpenter were among the artists who dominated on the streaming service in 2024. Swift closed out her huge year as 2024’s most-streamed artist, generating over 26.6 billion streams globally — marking two straight years of her topping the tally — with The Weeknd coming in second among artists, followed by Bad Bunny, Drake and Billie Eilish.

To celebrate Swift’s two-fer, Spotify rolled out a special Wrapped badge on her profile as well as custom animations corresponding to her music, including sparkles to match Fearless (Taylor’s Version), seagulls for 1989 (Taylor’s Version) and more. Swift also had Spotify’s top-streamed album of the year with her 15-week Billboard 200-topper The Tortured Poets Department.

Second place on the albums list was Billie Eilish’s Hit Me Hard and Soft, followed by Carpenter’s, Short n’ Sweet, Karol G’s MAÑANA SERÁ BONITO and Ariana Grande’s Eternal Sunshine. All five of the app’s top albums spent time at No. 1 on the Billboard 200. In addition, Carpenter’s “Espresso” snagged the most listens globally in 2024, racking up more than 1.6 billion streams. Just behind was Benson Boone’s “Beautiful Things,” Billie Eilish’s “Birds of a Feather,” FloyyMenor and Cris Mj’s “Gata Only” and Teddy Swims’ “Lose Control.”

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This article was first published by Billboard U.S.

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Panos A. Panay
Raphaële Sohier

Panos A. Panay

Features

Recording Academy President Panos A. Panay on Canada, Diljit Dosanjh and the Grammys’ Global Future

The influential music executive returned to a place he has called home at NXNE for the Billboard Global Summit. Here's why it was particularly meaningful for him.

The music landscape is changing quickly, and Panos A. Panay, the President of the Recording Academy and the Grammys, is right in the middle of it.
This week (June 11), Panay interviewed Punjabi superstar Diljit Dosanjh as part of the Billboard Summit at NXNE. For him, it represented a global shift in music where sounds carrying different cultures and languages are pushing against the "Anglo-American" mainstream. Celebrating the universality of music in the diverse city of Toronto holds special meaning for him.
Panay spent some formative years in Canada, and says in some ways he considers it as much like home as Cyprus, where he was born. It shaped how he sees the world and his career, and it's been important in his work at the Grammys, which is also going through changes. Since he started his job in 2021, along with CEO Harvey Mason Jr., Panay has been helping the Academy adapt to a new generation of artists, represent diversity and navigate the changing music scene.

Before he was at the Recording Academy, Panay founded the online platform Sonicbids, which brought him to NXNE many times. Again, it feels like coming home.

In this exclusive interview with Billboard Canada, Panos discusses Dosanjh, how the Grammys are changing and the future of Canadian music.

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