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Eminem Apologizes to His Kids in Emotional New Song ‘Somebody Save Me’ Featuring Jelly Roll

Jelly Roll‘s “Save Me” is getting a second life on Eminem‘s new album The Death of Slim Shady, which dropped Friday (July 12) and features a surprise duet with the country star on its final track, an emotional open letter to the rapper’s children.

Eminem & Jelly Roll

Eminem & Jelly Roll

Aaron J. Thornton/Getty Images; Rick Kern/Getty Images

Jelly Roll‘s “Save Me” is getting a second life on Eminem‘s new album The Death of Slim Shady, which dropped Friday (July 12) and features a surprise duet with the country star on its final track, an emotional open letter to the rapper’s children.

The song, titled “Somebody Save Me,” heavily samples Jelly’s 2023 hit, which reached No. 19 on the Billboard Hot 100 in November after Lainey Wilson jumped on the remix. The Detroit rapper’s new track opens with a recording of him shrugging off a younger version of his 31-year-old daughter Alaina’s pleas for him to come eat with her, after which the “Son of a Sinner” musician’s voice jumps in.


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“Somebody save me, me from myself,” Jelly sings in the snippet. “I’ve spent so long living in Hell.”

Em proceeds to dedicate bars to all three of his kids — he’s also Dad to 28-year-old Hailie and 22-year-old Stevie — openly apologizing for his past history of choosing drugs over his children. “I don’t even deserve the father title/ Hailie, I’m so sorry/ I know I wasn’t there for your first guitar recital,” he raps. “Alaina, sorry that you had to hear me fall in the bathroom … Stevie, I’m sorry, I missed you grow up and I didn’t get to be the dad I wanted to be to you.”

In between Slim’s verses, Jelly’s emotional chorus fades in and out. “They say my lifestyle is bad for my health,” he belts. “It’s the only thing that seems to help.”

The surprise collaboration comes about a month after Eminem and the “Need a Favor” artist teamed up for a live performance of the former’s “Sing for the Moment” as part of NBC’s Live From Detroit: The Concert at Michigan Central special. Jelly sang the portion of Aerosmith’s “Dream On” sampled in the hip-hop titan’s The Eminem Show hit.

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“Em reached out, his team reached out and said, ‘Would you be interested in doing this?’” Jelly gushed to Entertainment Tonight of the performance in June. “I couldn’t believe it. I thought it was a joke until I met Eminem himself … As soon as I met Eminem, it was like the coolest moment ever, man.”

The Death of Slim Shady features a total of 19 tracks, including the previously released singles “Houdini” and “Tobey,” the latter featuring Big Sean and BabyTron. It comes four years after 2020’s Music to Be Murdered By, which debuted at No. 1 on the Billboard 200.

Listen to Eminem and Jelly Roll’s surprise duet “Somebody Save Me” below.

This article was originally published by Billboard U.S.

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The Weeknd performs onstage during the Michael Rubin REFORM Alliance Casino Night Event on September 13, 2025 in Atlantic City, New Jersey.
Dimitrios Kambouris/Getty Images

The Weeknd performs onstage during the Michael Rubin REFORM Alliance Casino Night Event on September 13, 2025 in Atlantic City, New Jersey.

Publishing

Meet the Swiss Investment Firm Behind The Weeknd and Lyric Capital’s Billion-Dollar Deal

Partners Group bought royalty backed notes to finance a joint venture that gives Lyric a 25% equity stake and allows The Weeknd "creative freedom" over publishing and master rights.

The Weeknd and Lyric Capital‘s deal to move the Starboy artist’s back catalog into a new joint venture was financed through royalty-backed notes bought by the Swiss-based investment firm Partners Group, according to a press release.

The Weeknd’s masters catalog and Lyric Capital raised $1 billion — including $750 million in debt — in a deal that gave Lyric a 25% equity stake in artist Abel Tesfaye‘s masters, Billboard reported earlier in December. Partners said on Wednesday that The Weeknd will maintain “freedom to utilize the publishing and masters’ rights over the catalog” in the new vehicle, which it financed through the purchase of royalty-backed notes bought with client funds from its cross-sector royalty strategy.

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