advertisement
Music News

BTS Opens Up About ‘More Mature’ New Album, Not Wanting to Be ‘Desperately Eager’ to Win a Grammy

"Maybe we'll submit our album to the Grammys again ... but I don't know," RM said.

BTS at the 64th Annual Grammy Awards held at the MGM Grand Garden Arena on April 3, 2022, in Las Vegas.

BTS at the 64th Annual Grammy Awards held at the MGM Grand Garden Arena on April 3, 2022, in Las Vegas.

Brian Friedman/PMC

BTS‘ long-awaited comeback is loading, with new album Arirang slated to drop this spring. And in a new cover story interview with GQ published Friday (Feb. 13), the members of the band opened up about what ARMY can expect from the LP and whether winning a Grammy for the project is something that’s important to them.

Arriving March 20, Arirang will mark the septet’s first full-length since 2020’s Billboard 200-topping Be. According to Suga, it’ll also showcase a “more mature side of BTS this time around,” featuring a “diversity of genres.”


“What I can tell you is that it’s going to be quite different from the BTS albums and sounds that you’ve been listening to,” he told the publication. “Being idol groups and boy bands and girl groups in the K-pop industry, it might feel like it’s a little bit restraining about the negative sides of life. But I think as artists and as individuals, you have to be able to express both the positive and the negative sides of life.”

advertisement

“I think we are slowly heading that way because this album has a lot of introspection and thoughts,” he continued. “Things have changed, and we are still changing.”

It’s hard to overstate just how excited BTS fans are for the group’s return. Suga and bandmates RM, Jin, J-Hope, Jimin, V and Jung Kook have spent the past three years or so taking turns releasing solo projects while completing their mandatory enlistment periods in the South Korean military, finally coming back together last summer to promise fans in a Weverse livestream that a new album and world tour would happen in 2026.

Despite the break, BTS is picking up right where it left off with seemingly no momentum lost — but is a Grammy something the members are still working toward after becoming the first K-pop group to be nominated for one in 2021, but losing both best pop duo/group performance that year and again in 2022?

advertisement

“I don’t know,” RM told GQ candidly. “Time has passed. There are a lot of K-pop-related nominees you see in the general field and, really, I want to send big applause for them.” (In 2026, ROSÉ of BLACKPINK became the first K-pop soloist to be nominated in a general field category at the Grammys.)

“I mean, we’ll try,” he added. “Maybe we’ll submit our album to the Grammys again. But I don’t know — we don’t want to be desperately eager for it … We don’t want to say anymore like, ‘Ah, man, we want the Grammys.’ I mean, it doesn’t mean that we really don’t want it — but we’ll try. But if not, then OK.”

See BTS on the cover of GQ below.


This article was first published by Billboard U.S.

advertisement
Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

keep readingShow less
advertisement