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FYI

Media Beat: The Battle To Keep Community Radio On The Air (Opinion Column)

Lost in the talk around the Online Streaming Act is the role of local and community news, a vital source to many in communities across Canada.

Media Beat: The Battle To Keep Community Radio On The Air (Opinion Column)
Photo by Eric Nopanen on Unsplash

Unless you live in a city and have the funds and or inclination to pay for news content, finding out what is going on locally and provincially is becoming an increasingly arduous task. In the hinterlands, the paucity of community news has reached a critical juncture that is hitting hard at every level – from community fundraising drives to medical alerts.

The most damaging blow to small-town news was when Meta (Facebook and Instagram) blocked news in the country as an act of defiance to the Online News Act. The decision meant that Canadian news sources were expunged from the popular social media sites, including the 200+ community radio stations that used Facebook pages to expand their reach and talk about the news of the day in small-town Canada. Put bluntly, it was a devastating blow that has negatively impacted every local initiative in these communities.


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Community radio broadcasting is walking a financial tightrope these days, and yet more and more remote and rural communities find themselves increasingly reliant on them for local news and the sole source of news and information during disasters.

When Hurricane Fiona hit the Maritimes in Sept. of 2022, the devastation earned it the distinction of being the costliest hurricane to hit the islands and coastal provinces ever. For communities in and around Glace Bay, Nova Scotia and parts of Cape Breton, CKOA-FM The Coast was the sole source of information when the storm knocked out several CBC transmitters. In a word, it was a lifeline to the outside world and the provider of news and information about how and when essential services would likely be resumed. Living in a remote area without hydro, a water pump and internet services, a battery-operated radio is about the only link many Canadians have to keep them informed.

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The Canadian broadcasting system is in a giant mess, in large part brought on by the internal disarray the CRTC finds itself in with a mandate that has been expanded and a process for implementing change that is slower than slow. Former journalist and CRTC vice-chair Peter Menzies wrote a well-researched and informative feature for the Globe and Mail earlier this month that said it all in the headline: Broadcasting reform in Canada is going as expected – which is to say, badly.

With major American tech companies digging in their heels and resisting a mandate to pay into funds for Canadian content, be it news, movies or music, the legal battles ahead offer no quick fixes. Recently, Netflix has joined the aggrieved parties fighting the CRTC’s rulings.

For the 130+ community radio stations with a staff of 300 and 6,000 volunteers, the fight to stay relevant in a shrinking world of reach, the battles that go on with the online titans versus the CRTC, and the drive to serve local audiences have become almost mind-numbing, especially with little financial aid available in Canada to keep these warriors on the air.

It all sounds a bit glum because it is, and it’s time the CRTC and the federal government realized that the heart and soul of Canadian broadcasting is what these little guys are all about and they need a voice.

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Val Blavatnik
Courtesy WMG

Val Blavatnik

Business News

Val Blavatnik to Oversee Warner Music Canada in New Role at Warner Music Group

Blavatnik will oversee Warner Music Canada as managing director of Warner Music North America, U.K. and Corporate Development at WMG. As part of a slew of executive announcements, Simon Robson will be leaving the company, while Alejandro Duque takes the top international role.

Val Blavatnik, the 28-year-old son of Warner Music Group majority owner and vice chairman Len Blavatnik, has been named managing director of Warner Music North America, U.K. and Corporate Development at the Warner Music Group, the company announced Friday (Sept. 25). In his new role the younger Blavatnik, who has held several roles at the company in recent years, and has been a board member since 2023, expects to “unify and drive business and operational strategy across these markets while guiding the company’s investment strategy to support growth,” according to a press release.

The Blavatnik announcement is part of a flurry of new executive announcements that CEO Robert Kyncl made this morning. In addition, Atlantic Music Group chairman/CEO Elliot Grainge will take on ADA in the U.S. as its new chairman, while Alejandro Duque, who has held the dual roles of president of Warner Latin and president of ADA since last July, has been named president of Warner Music International, adding Asia-Pacific and Europe, the Middle East and Africa under his oversight. (Duque will continue to oversee ADA outside the U.S.) Zach Friedman, currently COO at Atlantic Music Group, will add the title of vice chair of ADA U.S. to his resume.

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