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Victoria Banks Reflects On Her Survival...And Success

I feel a bit like a survivor who is holding on somehow despite the odds. When I signed my first deal in 1998, royalty streams were alive and well.

Victoria Banks Reflects On Her Survival...And Success

By External Source

I feel a bit like a survivor who is holding on somehow despite the odds. When I signed my first deal in 1998, royalty streams were alive and well. I have seen the decline of record sales and the rise of streaming basically obliterate all other income streams except radio play for commercial songwriters.


There are now only 400 people doing what I do professionally in Nashville when there were 4000 twenty years ago.

I’ve also had to deal with the lack of radio play for female artists in the country genre. Even though I naturally gravitate toward writing from a female perspective, I have had to learn to focus primarily on writing with and for male artists in order to stay marketable.

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--- Victoria Banks, Songwriters Association of Canada

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Also this week: A milestone birthday for Dolly Parton, Billie Eilish and The Boss speak out on ICE and an inside look of the late Grateful Dead guitarist Bob Weir.

Pitchfork is making headlines of its own this week, putting reviews behind a paywall for the first time in its multi-decade existence. Bruno Mars is also making big waves with his album comeback, picking up like he never left off (because he didn't, really). And All Things Go Festival is returning to Canada, this time for sunnier days.

Read these stories and more in this week's roundup of music biz headlines of the week from Canada and beyond.

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