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Victoria Banks Reflects On Her Survival...And Success

I feel a bit like a survivor who is holding on somehow despite the odds. When I signed my first deal in 1998, royalty streams were alive and well.

Victoria Banks Reflects On Her Survival...And Success

By External Source

I feel a bit like a survivor who is holding on somehow despite the odds. When I signed my first deal in 1998, royalty streams were alive and well. I have seen the decline of record sales and the rise of streaming basically obliterate all other income streams except radio play for commercial songwriters.


There are now only 400 people doing what I do professionally in Nashville when there were 4000 twenty years ago.

I’ve also had to deal with the lack of radio play for female artists in the country genre. Even though I naturally gravitate toward writing from a female perspective, I have had to learn to focus primarily on writing with and for male artists in order to stay marketable.

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--- Victoria Banks, Songwriters Association of Canada

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Nate Sabine
Courtesy Photo

Nate Sabine

Touring

Nate Sabine Steps Into Role as Chair of the Canadian Live Music Association

“Live music is not only a powerful economic driver; it is a cornerstone of Canada’s creative ecosystem and cultural identity,” the Vancouver-based music industry executive says.

The Canadian Live Music Association (CLMA) has appointed Nate Sabine as the new chair of the organization.

For over two decades, Sabine has been immersed in Vancouver’s entertainment scene — from self-producing club nights and rap concerts to managing homegrown hip-hop artists in the late 90s and early 2000s to his current role as director of business development at Blueprint, one of the west coast’s largest independent live concert and festival companies.

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