advertisement
FYI

Steph Cameron: Gold Dust Woman

This fresh cover of a Fleetwood Mac fave shows that the critically-acclaimed Saskatoon folk songstress is branching out from her solo and acoustic template. Her strong and pure voice remains the focus, and the fuller sound is pleasing.

Steph Cameron: Gold Dust Woman

By Kerry Doole

Steph Cameron -  "Gold Dust Woman," (Pheromone Recordings): This Saskatoon-based singer/songwriter has released two albums that dazzled many critics yet never quite got the recognition they deserved. She returns with a new track, Cameron's first since the 2017 release of her Daybreak Over Jackson Street full-length.


A cover of the Stevie Nicks-penned Fleetwood Mac hit, it reportedly signals a new direction for Cameron, as it is her first fully accompanied outing (her earlier material was all solo and acoustic). A label press release terms this "a taste of what's to come" from the new songs she is working on in the studio.

advertisement

Explaining her choice of cover, Cameron says  "'Gold Dust Woman' is a powerful example of Stevie Nicks' ability to write elegant, spellbinding lyrics and melodies to use them to paint a song in unusual and mystical terms. I have always sung this song, and when the guitar came together for me; I knew I had to cover it."

Her strong and pure voice is rightfully placed front and centre here. Fluent guitar and vocal harmonies result in a full sound that reminds us of the beauty of the original while adding a freshness. It will be interesting to see how Cameron's stylistic change works out, but this is a promising start.

Cameron begins a 15-date tour of Ireland, the UK, and Europe with Twin Bandit on Jan. 18. Itinerary here

Links

Website

Twitter

Facebook

Publicity: Erin Carroll, Cadence Music

advertisement
Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

keep readingShow less
advertisement