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Shakura S'Aida's Farewell To John Mays

I just woke up and found out that John Mays had passed. My first thought was to bury my head under the covers and sleep for 1 million years, but that would not be honouring John Mays...

Shakura S'Aida's Farewell To John Mays

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I just woke up and found out that John Mays had passed. My first thought was to bury my head under the covers and sleep for 1 million years, but that would not be honouring John Mays. Over 10 years ago, when no one knew me and no one would hire me to sing at their festival, two bandleaders gave me the opportunity to sing with them, Bill King and Lance Anderson.


From Bill, I learned how to lead a band of eight musicians and yet how to always play with them as an equal; in Lance's band, the Ray Charles Tribute, I learned how to share a stage with a professional and how to enjoy doing it each and every time.

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John Mays was a master on stage; he taught me always to be "on" when on stage, never to let down your energy or your audience.

No matter how he was feeling or what had gone on before the show, once he stepped on stage, he had one purpose and one purpose only: to enjoy what he was doing and to make sure that everybody else knew it and enjoyed it too!

He had such joy on stage that was not only infectious; it was endless and seamless. He pushed me to stay on point, to connect with everyone onstage and in the audience, to dance with abandon and to NEVER take this life we are blessed to spend in music for granted.

I learned so much from this man, and I’m grateful for each and every lesson. My heartfelt prayers of light are with Tina, Kenny, his Fathead brothers-in-arms and all of his friends and family.

Good night John, I will never sing 'Georgia' again unless it is to you.... Rest in Peace, Love & Music

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Shakura S’Aida, Facebook, Dec. 11 reflecting upon the death of John Mays a year ago.

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Paul McCartney
Mary McCartney

Paul McCartney

Pop

Paul McCartney Announces Reflective ‘The Boys of Dungeon Lane’ Solo Album, Drops Wistful ‘Days We Left Behind’ Single

The 14-track collection of songs inspired by McCartney's youth and he played the majority of the instruments on it.

Paul McCartney is going back to the start on his upcoming 18th studio album, the nostalgic The Boys of Dungeon Lane. The 14-track collection announced on Thursday morning (March 26) is due out on May 29 through MPL/Capitol Records and is prefaced by the wistful first single, “Days We Left Behind.”

McCartney’s first release since 2020’s McCartney III is described in a press release as a look backward at the former Beatle’s formative years, revisiting those youthful times that “shaped not only his life, but the very foundations of modern popular culture. In a career defined by timeless storytelling and unforgettable characters, Paul now tells the most personal story of all, his own. The Boys of Dungeon Lane is his most introspective album to date and takes the listener back to where it all began.”

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