advertisement
FYI

Prism Prize Videos: Carolyn Fe - Jerusalem’s Thorns

On May 13 in Toronto, the biggest prize for Canadian music videos will be handed out. We are profiling some of the potential contenders prior to that, including this clip by an acclaimed blues singer and actor from Montreal.

Prism Prize Videos: Carolyn Fe - Jerusalem’s Thorns

By External Source

On February 21, the Prism Prize will announce the Top 20 Canadian music videos competing for the annual honour, to be handed out May 13 at TIFF Bell Lightbox in Toronto.


Leading up to the Prize, we are profiling some of the noteworthy clips likely to be in contention. More information on the Prize here

Carolyn Fe - "Jerusalem’s Thorns"

Montreal-based artist Carolyn Fe and director Simon Gionet’s video for "Jerusalem’s Thorns" is equal parts haunting and inspirational. Set in a small cabin surrounded by sprawling fields and dense woods, the first few beats of the video are silent aside from the ambient noise of the forest and the wind. The video is a character study of three women living together in the cabin: in addition to Carolyn, we meet an older woman, and a younger girl (naturally encouraging the viewer to draw parallels between them and the archetype of the girl, the mother, and the crone).

advertisement

The momentum builds throughout the video as the three women gradually shift from passivity and stillness (sitting in a chair and staring out the window) towards activity and forward motion (assembling to burn the wooden chairs they’ve gathered in a large pyre in the field outside). The lyrics and title of the song pay blatant homage to the Biblical imagery of Jesus’ Crown of Thorns, and that religious influence is just as palpable in the music video. While the first half of the video is heavily influenced by the themes of darkness, dust, and decay, the second half focuses on clarity, renewal, and purification. The video uses fire as a means of burning away the things that hold us back while simultaneously banishing the darkness.


Director: Simon Gionet
Producer: Littoral Films  Facebook
DOP & Colorist: François Herquel
Editor: Aziz Zoromba

advertisement

advertisement
From left: Gracie Abrams and Aaron Dessner photographed by Wesley Mann on September 1, 2023 at Long Pond Studio near Hudson, NY.
Wesley Mann

From left: Gracie Abrams and Aaron Dessner photographed by Wesley Mann on September 1, 2023 at Long Pond Studio near Hudson, NY.

Music News

Aaron Dessner Sets the Record Straight on Gracie Abrams’ ‘Death Wish’: It’s ‘Definitely Not’ About Taylor Swift

The producer also shared how he ended up performing with Noah Kahan over the weekend.

Aaron Dessner and Gracie Abrams have now made three albums together, with the pop star’s third studio effort, Daughter From Hell, arriving July 17. But one song in particular has stirred up a few misconceptions, and in a recent conversation with Billboard, the producer cleared them up.

Hopping on a Zoom call on Tuesday (July 21) — just days after joining Noah Kahan on stage in New York to perform one of The Great Divide songs he produced, a cameo that severe weather almost ruined — Dessner addressed confusion over the production and subject of “Death Wish,” one of the most talked-about tracks on Daughter From Hell. Some listeners have expressed surprise that the spritely album version sounds so different from the somber live piano version Abrams initially recorded and released amid her Secret of Us Tour, questioning why the duo would “change” the “original.” (Spoiler alert: They didn’t.)

keep readingShow less
advertisement