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FYI

Prism Prize Video: The Weather Station - Impossible

On May 13, the biggest prize for Canadian music videos will be handed out in Toronto. We are profiling some of the Top 20 nominees before that, including this clip from critically-acclaimed singer/songwriter Tamara Lindeman.

Prism Prize Video: The Weather Station - Impossible

By External Source

On May 13, the biggest prize for Canadian music videos will be handed out in Toronto. We are profiling some of the Top 20 nominees before that, including this clip from critically-acclaimed singer/songwriter Tamara Lindeman. Slaight Music is Patron Sponsor for the Prism Prize.


The Weather Station - "Impossible"

Colin Medley’s home-spun clip for The Weather Station’s "Impossible" centers around the choreography of Lauren Runions, as the video’s three dancers play puppeteer as the artist goes about her day. The trio takes care of even the smallest activity, guiding her hands and movements in tandem with their own. Lindeman eventually finds some autonomy as she is united with her guitar. The video is a gentle rumination on self-care and the external forces that threaten it.

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The Weather Station is the brainchild of Tamara Lindeman, an accomplished Toronto-based musician who has attracted a great deal of attention across four full-length albums, garnering Juno and Polaris Prize nominations and extensive headlining tours in North America, Australia, and Japan along the way. Colin Medley is a music video director with over 40 credits to his name, including clips for Alvvays, Bry Webb and many more.


Directed, Shot, Edited by Colin Medley
Choreographed by Lauren Runions
Featuring: Camille Rojas, Sarah Koekkoek, and Lauren Runions
Art Direction and Production Assistance from Mica White

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Vans Warped Tour
@jakewestphoto

Vans Warped Tour

Touring

‘That’s What This Is All About’: Kevin Lyman on 30 Years of Vans Warped Tour and What Comes Next

"The industry talks a big game about artist development," Lyman says. "But we are willing to die trying."

When Kevin Lyman launched Vans Warped Tour in 1995, he made a decision that confused a lot of people in the industry: no headliners.

Every artist on the bill listed alphabetically, given equal billing, equal space on the poster. Three decades later, with Warped returning for its biggest edition yet — five two-day U.S. festivals across Washington D.C., Long Beach and Orlando, plus international debuts in Montreal and Mexico City — that decision looks less like idealism and more like foresight.

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