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Prism Prize Video: Shad - The Stone Throwers (Gone in a Blink)

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile prominent Canadian videos, including this one from an acclaimed hip-hop artist shortlisted for the 2019 Polaris Music Prize.

Prism Prize Video: Shad - The Stone Throwers (Gone in a Blink)

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The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile prominent Canadian videos, including this one from an acclaimed hip-hop artist shortlisted for the 2019 Polaris Music Prize.


Shad - The Stone Throwers (Gone In a Blink)

The video opens with a montage sequence, showing people, unclothed, standing in front of a blank white screen. The grainy, video-camera quality imagery shows close-ups of their naked body, and the sequence is laced with cuts which show the city of Toronto - gritty and real, strangely desolate, devoid of the usual hustle and bustle it is often associated with.

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The people in the video are seen tackling themes including economics, criminal justice, and beyond. The concept of the video is to show how the powerless are often forced to resort to violence to survive, for which they are later vilified. While the powerful do more harm to the people and planet with weapons of money and influence. This obvious discrepancy in the societal power balance is a significant focus of Shad’s lyrics.

There were two things that Shad hoped to capture in the visual for the song: vulnerability and rage. The nakedness of the casts represents their vulnerability, and their screams represent the rage that grows inside of them.

Credits: 

Director:  Matthew Progress 

DOP: Giles Monette 

Editor: Cam Lasovitch 

Actors: Oluseye, Shae-Lynn Masik, Max Mohenu

 

 

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Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians
Matt Cardy/Getty Images

Mo Chara, DJ Provaí and Móglaí Bap of Kneecap performs on the West Holts Stage during during day four of Glastonbury Festival 2025 at Worthy Farm, Pilton on June 28, 2025 in Glastonbury, England.

Music News

Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians

The Irish rap trio went after the Norwegian government over its investments, which are currently under scrutiny, at Øyafestivalen.

Irish rap group Kneecap – which has drawn a storm of criticism, support, attention and legal action over the past half-year – continued to speak out about the war in Gaza during an afternoon set at the Øyafestivalen in Oslo, Norway, on Friday (Aug. 8).

Right before the trio of Mo Chara, Móglaí Bap and DJ Próvaí took the stage, an English-language white-text-on-black-background message played on a video screen, accusing the Norwegian government of “enabling” the “genocide” against the Palestinian people via investments held in the county’s sovereign wealth fund (referenced as “oil pension fund” in the message). “Over 80,000 people have been murdered by Israel in 21 months,” the band’s message continued. “Free Palestine.” The message was greeted readily by a cheering audience. Most estimates (including those from health officials in the area) place the Palestinian death toll at more than 60,000. That number does not distinguish between civilians and Hamas militants. An estimated 18,500 of those killed were children.

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