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FYI

Prism Prize Video: Shad - The Stone Throwers (Gone in a Blink)

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile prominent Canadian videos, including this one from an acclaimed hip-hop artist shortlisted for the 2019 Polaris Music Prize.

Prism Prize Video: Shad - The Stone Throwers (Gone in a Blink)

By External Source

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile prominent Canadian videos, including this one from an acclaimed hip-hop artist shortlisted for the 2019 Polaris Music Prize.


Shad - The Stone Throwers (Gone In a Blink)

The video opens with a montage sequence, showing people, unclothed, standing in front of a blank white screen. The grainy, video-camera quality imagery shows close-ups of their naked body, and the sequence is laced with cuts which show the city of Toronto - gritty and real, strangely desolate, devoid of the usual hustle and bustle it is often associated with.

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The people in the video are seen tackling themes including economics, criminal justice, and beyond. The concept of the video is to show how the powerless are often forced to resort to violence to survive, for which they are later vilified. While the powerful do more harm to the people and planet with weapons of money and influence. This obvious discrepancy in the societal power balance is a significant focus of Shad’s lyrics.

There were two things that Shad hoped to capture in the visual for the song: vulnerability and rage. The nakedness of the casts represents their vulnerability, and their screams represent the rage that grows inside of them.

Credits: 

Director:  Matthew Progress 

DOP: Giles Monette 

Editor: Cam Lasovitch 

Actors: Oluseye, Shae-Lynn Masik, Max Mohenu

 

 

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Intro

Billboard Canada 2025 Power Players List Revealed

By Richard Trapunski, Rosie Long Decter, Peony Hirwani, Stefano Rebuli and Heather Taylor-Singh

Billboard Canada Power Players is back for a second year, and it comes at a pivotal time for Canadian music. Canadian Content regulations – a principle that built the domestic industry – are up for review for the first time in a generation, with ongoing hearings taking place with the CRTC. The Online Streaming Act, meanwhile, is attempting to regulate major foreign streaming services to contribute to CanCon as the CRTC once did for radio, but companies like Spotify, Amazon and Apple Music aren't taking it without a fight.

Those issues shadow the industry, which has both struggles and successes. The country was recently named the 8th largest music market in the world by the IFPI and Toronto has emerged as a marquee live music market. That's been reflected in the successes and investments in new venues by companies like Live Nation Canada, MLSE and Oak View Group, though some festivals and promoters outside of their orbit have gone public with their own struggles.

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