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Prism Prize Eligible Video: Destroyer - Cue Synthesizer

The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos that were eligible for the Prize, including this one from an acclaimed indie rock auteur from Vancouver.

Prism Prize Eligible Video: Destroyer - Cue Synthesizer

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The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos that were eligible for the Prize, including this one from an acclaimed indie rock auteur from Vancouver.


Destroyer - Cue Synthesizer

Fronted by singer/songwriter Dan Bejar, Destroyer is a Canadian rock band from Vancouver, British Columbia, one he formed in 1995. With well over 20 years in the music industry, Destroyer knows a thing or two about making albums and songs. With such a wide discography, Bejar says that each song or album can sound completely distinct from one another. 

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Of note: He was a key member of The New Pornographers for much of that group's long career.

His latest release, Cue Synthesizer, comes from his 12th studio album, Have We Met Yet. The song is described by Bejar as “maybe the most audacious piece of music Destroyer’s laid to tape.”

Cue Synthesizer is accompanied by a stunning music video in which a hooded/caped crew of warehouse workers move around town wrapping the world up in plastic. Bejar finds himself trapped in a car in which the workers have already wrapped. Feeling frigid and isolated he sings “The idea of the world is no good,”. Eventually, the workers take a break from their activities to stop at a bench, with the video coming to an end. 

Director: David Ehrenreich

Producer: David Galloway

Director of Photography: Liam Mitchell

Choreographers: Maiko Miyauchi, Cristina Bucci

Production Company: Border Patrol Films

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Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians
Matt Cardy/Getty Images

Mo Chara, DJ Provaí and Móglaí Bap of Kneecap performs on the West Holts Stage during during day four of Glastonbury Festival 2025 at Worthy Farm, Pilton on June 28, 2025 in Glastonbury, England.

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Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians

The Irish rap trio went after the Norwegian government over its investments, which are currently under scrutiny, at Øyafestivalen.

Irish rap group Kneecap – which has drawn a storm of criticism, support, attention and legal action over the past half-year – continued to speak out about the war in Gaza during an afternoon set at the Øyafestivalen in Oslo, Norway, on Friday (Aug. 8).

Right before the trio of Mo Chara, Móglaí Bap and DJ Próvaí took the stage, an English-language white-text-on-black-background message played on a video screen, accusing the Norwegian government of “enabling” the “genocide” against the Palestinian people via investments held in the county’s sovereign wealth fund (referenced as “oil pension fund” in the message). “Over 80,000 people have been murdered by Israel in 21 months,” the band’s message continued. “Free Palestine.” The message was greeted readily by a cheering audience. Most estimates (including those from health officials in the area) place the Palestinian death toll at more than 60,000. That number does not distinguish between civilians and Hamas militants. An estimated 18,500 of those killed were children.

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