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Prism Prize Eligible Video: Dana Gavanski - Yesterday is Gone

The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos that were eligible for the prize, including this one from a Montreal-based singer/songwriter.

Prism Prize Eligible Video: Dana Gavanski - Yesterday is Gone

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The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos that were eligible for the prize, including this one from a Montreal-based singer/songwriter.


Dana Gavanski - Yesterday is Gone

Dana Gavanski is a Canadian singer/songwriter, born in Vancouver to a Serbian family and later relocated to Montreal to attend university. Although she always knew she would be working in the entertainment industry, she didn’t see music creation in her future. Setting out to work in film, she quickly switched gears to music. After the release of her debut album in 2020, Gavanski was named one of Exclaim!'s Eight Emerging Canadian Artists.

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Gavanski describes her single Yesterday is Gone, off the album of the same name, as “poppier than the other tracks”. The video, directed by Nina Vroemen, an interdisciplinary artist working in video, dance, multimedia installations and sonic experimentation, is set in Montreal’s iconic Metro system. It features the bright and bold colours of the 1960’s as she moves around the underground world. Yesterday is Gone became an ode to the passage of time in this underground world. "In the Metro time and space are distorted; a constant state of arrivals and departures signalling a state of nostalgia and longing — married here with the playful, halting 7/4 meter of the song” says Gavanski when describing the concept and feel of the video. 

The lyrics of the song are juxtaposed with the bright colours of the Metro and her '60s inspired outfits, allowing your mind to put together its own conclusions about the meaning behind the lyrics.


Directed by: Nina Vroemen

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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