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Post Malone Has This Week's No. 1 Album

Post Malone’s Hollywood’s Bleeding debuts at No.

Post Malone Has This Week's No. 1 Album

By External Source

Post Malone’s Hollywood’s Bleeding debuts at No. 1 on the Billboard Canadian Albums chart with 52,000 total consumption units, scoring a clean sweep with the highest album sales, audio on-demand streams and digital song downloads for the week. It is his second straight chart-topping album, following 2018’s Beerbongs & Bentleys, which spent three weeks at No. 1. Hollywood’s Bleeding has also achieved the highest one-week consumption total and audio-on-demand stream total of 2019, and the most since Drake’s Scorpion in July 2018. 


Taylor Swift’s Lover holds at No. 2 for the second straight week, and Lil Tecca’s We Love You Tecca edges 4-3 as his single Ransom sits at the top of the Streaming Songs chart. Last week’s No. 1 album, Tool’s Fear Inoculum, drops to 4, and Ed Sheeran’s No. 6 Collaborations Project holds at 5.

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Melanie Martinez’s K-12 debuts at 10, matching the peak position of her first charted album, 2015’s Cry Baby.

Other debuts in the top 50 include Les Soeurs Boulay’s La Mort Des Etoiles, at No. 23; Laurence Jalbert’s Au Pays De Nana Mouskouri, at 35; and Niska’s Mr Sal, at No. 36.

Shawn Mendes & Camila Cabello’s Senorita spends its fourth week at No. 1 on the Digital Songs chart.

-- All data courtesy of SoundScan with additional detail provided by Nielsen Canada director Paul Tuch.

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Canadian Live Music Association Calls On Ontario to Modernize Its Live Music Policies
Photo by Tijs van Leur on Unsplash
Touring

Canadian Live Music Association Calls On Ontario to Modernize Its Live Music Policies

Submitted by the CLMA's president & CEO, Erin Benjamin, the organization's budget submission provides recommendations to “position Ontario as a leader in live music, tourism and cultural development.”

The Canadian Live Music Association has ideas for investment in the live music scene in Ontario.

According to the organization, “key elements” of the province's current policy — specifically the Ontario Music Investment Fund (OMIF) and Experience Ontario (EO) — are “not fully keeping pace” with the ever-growing landscape of the province’s music industry.

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