advertisement
FYI

A Podcast Conversation With ... Randy Brecker

There have been few moments when trumpeter Randy Brecker and his late brother Michael haven’t occupied our lives somehow.

A Podcast Conversation With ... Randy Brecker

By Bill King

There have been few moments when trumpeter Randy Brecker and his late brother Michael haven’t occupied our lives somehow. From Randy and the original Blood Sweat & Tears to Michael’s epic saxophone solo on the Average White Band’s Pick Up the Pieces. Randy has participated on hundreds of recordings from James Taylor, Bruce Springsteen and Parliament/Funkadelic to Frank Sinatra, Steely Dan, Jaco Pastorius, and Frank Zappa.


I recall Randy scurrying around Greenwich Village with a horn under his arm and returning to 21 Jones Street late evenings. A player’s paradise. The Café Wha? The Bitter End, The Café Au Go Go, the many park concerts in Tompkins Square, the jam sessions uptown at Steve Paul’s Scene, and for me, the original version of Blood Sweat & Tears at the Anderson Theatre. A four-piece fronted by keyboardist Al Kooper. I remember the occasion and what was rattling my brain. In my assessment, the unit needed a substantial singer. This person ain’t cutting it. That singer came along—an amalgam of Ray Charles and Wayne Cochran, a blue-eyed soul warrior in Canadian David Clayton-Thomas. A voice suited to hit radio, still straddling the line between street and stage. The guy had cred.

advertisement

Brecker came by our house on Helena Avenue in July 2000 for a sit-down interview destined for Jazz Report Magazine. The recorded cassette tape sat in limbo for 22 years until technology solved a substantial issue. Brecker was on audiotape, loud and clear, and me, just a wisp. I forgot to plug in a second microphone. Let there be joy; the fix is in. With advances in technology, I’m alive on tape. The interview is a historical document of a gifted musician, his bands, and his position as a sideman with jazz greats Horace Silver and Art Blakely. But first, up, Randy playing the Top of the Senator on Victoria Street, Toronto—the music, the band – then Blood Sweat & Tears, Horace Silver, his first band with brother Michael—Dreams – his solo debut on Solid State, and a second killer band—The Brecker Brothers on Arista Records. This is where we start today on this May's FYIMUSICNEWS.ca feature podcast.

advertisement

advertisement
Alvvays
Norman Wong

Alvvays

Rock

Happy Anniversary, Archie: Alvvays' Debut Record Gets a 10th Birthday Re-Issue

The Canadian jangle pop group's first album will be available on a new cerulean blue vinyl with an unearthed bonus track, as well as the ten original songs — including breakout single 'Archie, Marry Me' — that launched their career in 2014.

A major Canadian indie rock album turns 10 today (July 22), and the band is celebrating with a special re-issue.

Alvvays' self-titled debut helped the group break through on an international scale, propelled by jangly guitars, aloof vocals and an expertly catchy single. "Archie, Marry Me," with its soaring chorus and pleading lyrics, became a wedding song for a generation of ambivalent millennials, earnest and sardonic at the same time.

keep readingShow less
advertisement