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Olivia Rodrigo’s 'Sour' Maintains 2nd Week At No. 1

In a quiet week for new releases, Olivia Rodrigo’s Sour spends a second consecutive week at number one on the Billboard Canadian Albums chart and again scoring the highest on-demand stream

Olivia Rodrigo’s 'Sour' Maintains 2nd Week At No. 1

By External Source

In a quiet week for new releases, Olivia Rodrigo’s Sour spends a second consecutive week at number one on the Billboard Canadian Albums chart and again scoring the highest on-demand streams and digital track sales. After just two weeks, the album is already the No. 3 most consumed album so far in 2021.


J. Cole’s The Off-Season edges 3-2, Justin Bieber’s Justice moves up to No. 3, Dua Lipa’s Future Nostalgia skips6-4 and Morgan Wallen’s Dangerous: The Double Album moves 7-5.

The top new entry of the week belongs to DMX’s posthumous release, Exodus, at No. 26. It is the rapper’s first studio album since 2012.

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– All data courtesy of SoundScan with additional detail provided by MRC Data's Paul Tuch.

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Intro

Billboard Canada 2025 Power Players List Revealed

By Richard Trapunski, Rosie Long Decter, Peony Hirwani, Stefano Rebuli and Heather Taylor-Singh

Billboard Canada Power Players is back for a second year, and it comes at a pivotal time for Canadian music. Canadian Content regulations – a principle that built the domestic industry – are up for review for the first time in a generation, with ongoing hearings taking place with the CRTC. The Online Streaming Act, meanwhile, is attempting to regulate major foreign streaming services to contribute to CanCon as the CRTC once did for radio, but companies like Spotify, Amazon and Apple Music aren't taking it without a fight.

Those issues shadow the industry, which has both struggles and successes. The country was recently named the 8th largest music market in the world by the IFPI and Toronto has emerged as a marquee live music market. That's been reflected in the successes and investments in new venues by companies like Live Nation Canada, MLSE and Oak View Group, though some festivals and promoters outside of their orbit have gone public with their own struggles.

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