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FYI

Music Biz Headlines, Feb. 2, 2018

Acclaimed TO hip-hop crew Keys N Krates finds a new groove, and Justin, Beyonce et al find a new language. Also in the headlines are Roxy Music, WHFS, Cuneiform, The Smiths, Moog, Vancouver shows, Hillsburn, Mike Nesmith, Omhouse, Tafelmusik, and Leaving Thomas.

Music Biz Headlines, Feb. 2, 2018

By Kerry Doole

Keys N Krates find a new groove on Cura

Longtime Toronto hip-hop crew live drops its first full album — and changes its tune just a bit –  Raju Mudhar, Toronto Star


Meet the Spanish-language coaches who helped Beyonce, Justin Bieber & more sing like a native

With bilingual remixes soaring, meet the emergency language coaches being called in at the last minute to help artists roll their R’s –  Leila Cobo, Billboard

Bryan Ferry on how Roxy Music invented art pop: 'We were game for anything'

With their thrillingly strange 1972 debut, Roxy Music announced themselves as a band unlike any other. The singer looks back at how they created a new kind of music – out of Stax, oboes and Marilyn Monroe  –  Jon Savage The Guardian

Remembering WHFS: The beloved progressive station that was ‘exactly the opposite’ of radio today

Mention the call letters “WHFS” to music lovers of a certain age, and don’t be surprised if a smile instantly appears on their face, or a twinkle seems to light up their eye  –  Chris Kaltenbach, Baltimore Sun

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Grammy winner Serban Ghenea has 24K Magic touch as mixing engineer

Beyond his work on Bruno Mars's latest blockbuster, the ex-Montrealer's portfolio includes projects by Taylor Swift, Adele and many more  – T'Cha Dunlevy, Montreal Gazette

DC-Area record label Cuneiform has gone on hiatus and may not come back

It looks like there will be exactly 33 1/3 years between the company's first and last releases. "I can’t run an office on free,” says Mike Janssen, owner of the left-field imprint – The Washingtonian

I started something I couldn't finish: the Smiths reunion that wasn't

Three former members of the indie band were due to reunite for a series of gigs that fell apart as soon as they were announced. Mike Joyce and Craig Gannon explain why they tried to make it happen –  David Barnett, The Guardian

Leonard Bernstein introduced the Moog synthesizer to the world in 1969

The maestro played an electrified version of Bach's "Little Fugue in G" –  openculture.com

Nine shows guaranteed to help you forget the black winter rains

With pop queens, R&B upstarts, and metal veterans coming to Vancouver, you might even forget the monsoons –   Mike Usinger, Georgia Straight

Hillsburn’s wilder heart 

The Halifax band discusses its gradual expansion, ascension and a new album  – Tara Thorne, The Coast

Inside the stunning resurrection of Michael Nesmith's First National Band

How a half-forgotten Seventies country-rock group led by the Monkee in the green wool hat returned from oblivion –  Andy Greene, Rolling Stone

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Omhouse distils years of exploration into an epic debut

Eye To Eye, the first LP from Toronto's Steven Foster and his band, fixes a stadium grandiosity onto dense, idiosyncratic guitar pop songs  –  Mark Streeter, NOW

Tafelmusik unveils its 40th anniversary season

The renowned baroque orchestra and choir will produce Harlequin Salon, by oboist Marco Cera, in January 2019 –  Debra Yeo, Toronto Star

Friendship fuels Calgary country duo Leaving Thomas

“We are the best duo. We are the best combination because we are not dating, but we’re really, really close," says Annika Odegard –  Eric Volmers, Calgary Herald

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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