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FYI

Music Biz Headlines, Feb. 2, 2018

Acclaimed TO hip-hop crew Keys N Krates finds a new groove, and Justin, Beyonce et al find a new language. Also in the headlines are Roxy Music, WHFS, Cuneiform, The Smiths, Moog, Vancouver shows, Hillsburn, Mike Nesmith, Omhouse, Tafelmusik, and Leaving Thomas.

Music Biz Headlines, Feb. 2, 2018

By Kerry Doole

Keys N Krates find a new groove on Cura

Longtime Toronto hip-hop crew live drops its first full album — and changes its tune just a bit –  Raju Mudhar, Toronto Star


Meet the Spanish-language coaches who helped Beyonce, Justin Bieber & more sing like a native

With bilingual remixes soaring, meet the emergency language coaches being called in at the last minute to help artists roll their R’s –  Leila Cobo, Billboard

Bryan Ferry on how Roxy Music invented art pop: 'We were game for anything'

With their thrillingly strange 1972 debut, Roxy Music announced themselves as a band unlike any other. The singer looks back at how they created a new kind of music – out of Stax, oboes and Marilyn Monroe  –  Jon Savage The Guardian

Remembering WHFS: The beloved progressive station that was ‘exactly the opposite’ of radio today

Mention the call letters “WHFS” to music lovers of a certain age, and don’t be surprised if a smile instantly appears on their face, or a twinkle seems to light up their eye  –  Chris Kaltenbach, Baltimore Sun

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Grammy winner Serban Ghenea has 24K Magic touch as mixing engineer

Beyond his work on Bruno Mars's latest blockbuster, the ex-Montrealer's portfolio includes projects by Taylor Swift, Adele and many more  – T'Cha Dunlevy, Montreal Gazette

DC-Area record label Cuneiform has gone on hiatus and may not come back

It looks like there will be exactly 33 1/3 years between the company's first and last releases. "I can’t run an office on free,” says Mike Janssen, owner of the left-field imprint – The Washingtonian

I started something I couldn't finish: the Smiths reunion that wasn't

Three former members of the indie band were due to reunite for a series of gigs that fell apart as soon as they were announced. Mike Joyce and Craig Gannon explain why they tried to make it happen –  David Barnett, The Guardian

Leonard Bernstein introduced the Moog synthesizer to the world in 1969

The maestro played an electrified version of Bach's "Little Fugue in G" –  openculture.com

Nine shows guaranteed to help you forget the black winter rains

With pop queens, R&B upstarts, and metal veterans coming to Vancouver, you might even forget the monsoons –   Mike Usinger, Georgia Straight

Hillsburn’s wilder heart 

The Halifax band discusses its gradual expansion, ascension and a new album  – Tara Thorne, The Coast

Inside the stunning resurrection of Michael Nesmith's First National Band

How a half-forgotten Seventies country-rock group led by the Monkee in the green wool hat returned from oblivion –  Andy Greene, Rolling Stone

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Omhouse distils years of exploration into an epic debut

Eye To Eye, the first LP from Toronto's Steven Foster and his band, fixes a stadium grandiosity onto dense, idiosyncratic guitar pop songs  –  Mark Streeter, NOW

Tafelmusik unveils its 40th anniversary season

The renowned baroque orchestra and choir will produce Harlequin Salon, by oboist Marco Cera, in January 2019 –  Debra Yeo, Toronto Star

Friendship fuels Calgary country duo Leaving Thomas

“We are the best duo. We are the best combination because we are not dating, but we’re really, really close," says Annika Odegard –  Eric Volmers, Calgary Herald

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Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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