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FYI

MJ Doc Fuels Reinterest in 'Whacko' Jacko’s Music

The media furor and speculation that followed HBO’s Leaving Neverland 2-part doc has led to a small numbe

MJ Doc Fuels Reinterest in 'Whacko' Jacko’s Music

By David Farrell

The media furor and speculation that followed HBO’s Leaving Neverland 2-part doc has led to a small number of radio stations erasing Michael Jackson’s hits from their playlists, the cancellation of a planned jukebox musical and the deceased singer’s estate volubly outraged. But here in Canada, the stink has created a cash cow with album, digital tracks and on-demand streams surging in the wake of the two-parter. The only significant evidence that The King of Pop’s influence is waning in Canada is a 27-percent drop in airplay spins since the show’s airing


Jackson’s alleged badness has created a thriller wave of good news for Sony Music and the estate.

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Here’s a breakdown of MJ’s Canada-wide metrics for the week ending March 7, 2019, as compared with the week ending Feb. 28, 2019.

  • Physical albums up a whopping 48%

  • Digital albums up 27%

  • Total albums up 39%

  • Digital tracks up 8%

  • On-demand streams up 7%

  • Airplay spins down 27%

Data provided by Nielsen Canada and SoundScan.

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Ella Langley
Courtesy Photo

Ella Langley

Country

Ella Langley Stays True to Her Roots on Introspective New Album ‘Dandelion’: Stream It Now

The country star explores heartbreak, love, loss, faith and more on the new set.

Ella Langley‘s “Choosin’ Texas” has planted its roots at the top of the Billboard Hot 100 for five nonconsecutive weeks, but on her new album, Dandelion, she proves that the array of songs on the project are just as grounded in her ever-evolving artistic outlook as they are in her Alabama upbringing.

Across 16 songs (with the album bookended by Langley’s take on the traditional folk poem “Froggy Goes A-Courtin'”), Langley explores heartbreak, love, loss faith, and her unwavering dedication to being exactly who she is. Some songs are entrenched in soft-focused, acoustic-driven melodies, such as “Speaking Terms” and “Most Good Things Do,” but she also showcases her prowess with a ’90s country-leaning barnburner with “I Gotta Quit.”

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