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FYI

Media Beat: April 15, 2019

What Was Said

Media Beat: April 15, 2019

By David Farrell

What Was Said

Disney announced a new DTC video service this week to take on the likes of Netflix and Amazon Prime Video. The service, called Disney+ (huh?) will cost $6.99 a month -- about half as much as Netflix and $2/month less than Amazon.


The service launches in the fall with an amazing array of product including the entire libraries of Disney, Pixar, and Star Wars, plus the Simpsons and the 20th Century Fox catalog.   

This could lead to a subscription TV price war. What would a price war among ad-free subscription TV services mean? Sooner or later, advertising. – Bob Hoffman, The Ad Contrarian

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The crushing impact of social media freeloaders

“Hitler would have loved social media”

So said Disney CEO, Bob Iger, last week, receiving an award from the Simon Weisenthal Center for his work against racism and anti-Semitism. He meant, of course, the ability to use these platforms for hateful propaganda. There are so many reasons to be enraged about the social media monopolists these days: terrorist incitement videos, enabling dictators to corrupt our elections, selling our private data without informed permission, and on and on. But there is another reason that should be higher in policy-makers thinking.

They don’t pay taxes. – Robin V. Sears, The Star

Mainstream U.S. TV is not dead, nor is it the husk of its former self as some claim

With all the current fuss about the end of Game of Thrones and the weekly fuss about some new thing in Netflix, it’s easy to forget that normal network TV is humming along. TheBig Bang Theory, which has only a handful of episodes left in its long run, is still a ratings monster both here and in the United States. Grey’s Anatomy, now in its 15th season, is doing just fine, thank you. – John Doyle, The Globe and Mail

Disney+ vs Netflix

There are so many differences between the two services that they aren't really direct competitors. Disney+, for example, is family-focused. Netflix wants to have something for everyone, and its original content leans toward the kind of edgier subjects that tend to become bait for the Oscar and Emmy awards. Disney has clearly-defined verticals for content creation from its existing studios, while Netflix is fielding content from all around the world in multiple languages, from a wide range of creators, including both scripted and nonscripted programming. That also means that Netflix won't be competing directly with Disney+ for content, the way it does with HBO, Hulu, and Amazon.

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Additionally, though quality of content matters more than quantity, Netflix will have the much bigger and diverse library of the two services -- about two-thirds of Disney+'s 7,500 TV episodes will come directly from the Disney Channel. Netflix is also planning to spend much more on original content: Disney promised $2 billion in originals spending by 2024; Netflix, on the other hand, dropped $13 billion in cash on content just last year, with an increasing portion dedicated to originals. – Daniel Sparks, The Motley Fool

Nine Canadian stories Wikileaks brought to light

Now that WikiLeaks founder Julian Assange has been hauled out of the Ecuadorian Embassy in London to face extradition to the United States on charges that he conspired to access a classified U.S. government computer, here is a look back at some of what we learned about Canadian operations through information leaked by the whistleblower site. – Peter Zimonjic, CBC News

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The Beaches Bring "Blame Brett" to 'Jimmy Kimmel Live!'

The Toronto quartet brought their viral single into their late night TV debut.

Following the viral success of "Blame Brett" in 2023, The Beaches have made their late night TV debut, performing their naming-and-blaming single on Jimmy Kimmel Live!

Though the Toronto band has been together for a decade, winning a 2018 Juno for Breakthrough Artist following their debut album, last yearmarked a watershed moment for the quartet. They traded their heavier rock sound for sleek new wave guitar tones and took back control of their career, deciding to release their new album, Blame My Ex, independently. (They co-wrote the album with Canadian artist and songwriter Lowell, who also has a credit on Beyoncé's newest hit.)

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