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FYI

Mashup Has Peanuts Gang Playing Rush’s ‘2112’

YouTube user Garren Lazar has edited clips of Charlie Brown and the gang singing along to hit songs by Steve Miller, Lynyrd Skynyrd, and Pink Floyd’s The Wall, but says that parodying Rush’s classic 1976 album became a real challenge.

Mashup Has Peanuts Gang Playing Rush’s ‘2112’

By FYI Staff

If you've got 20 minutes to spare, and like Charlie Brown and Rush, you will want to watch this impressively well-executed combination of cartoon clips set to music produced by Terry Brown and performed by Geddy Lee, Alex Lifeson and Neil Peart.


YouTube user Garren Lazar, has edited clips of Charlie Brown and the gang singing along to “Jet Airliner” by Steve Miller, “Freebird” by Lynyrd Skynyrd, and the entirety of Pink Floyd’s The Wall, but he says that parodying Rush’s classic 1976 album 2112 was challenging.

Posting on YouTube, Lazar states: “Ladies and gentlemen, 2112 is officially the most difficult Peanuts Parody I've ever made to date. I know what you're thinking; ‘you did the entire The Wall album by Pink Floyd! How is this harder?’ It's not about the length that makes doing a parody of a song a challenge, it's the aesthetics of a song. 2112 was not all about syncing, I had to incorporate other skills other than Final Cut Pro; such as Adobe Photoshop, and other tools to make this video possible. But, in the end, it was worth it, and I hope that you all enjoy it!” 

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You can read more about the creator on Garren Lazar’s Facebook page.

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Nate Sabine
Courtesy Photo

Nate Sabine

Touring

Nate Sabine Steps Into Role as Chair of the Canadian Live Music Association

“Live music is not only a powerful economic driver; it is a cornerstone of Canada’s creative ecosystem and cultural identity,” the Vancouver-based music industry executive says.

The Canadian Live Music Association (CLMA) has appointed Nate Sabine as the new chair of the organization.

For over two decades, Sabine has been immersed in Vancouver’s entertainment scene — from self-producing club nights and rap concerts to managing homegrown hip-hop artists in the late 90s and early 2000s to his current role as director of business development at Blueprint, one of the west coast’s largest independent live concert and festival companies.

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