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FYI

Martha Wainwright: Wolves (feat. Rufus Wainwright)

The Montreal singer’s expressively emotional vocals are neatly complemented by those of her famous brother on this new single.

Martha Wainwright: Wolves (feat. Rufus Wainwright)

By Kerry Doole

Martha Wainwright: Wolves - feat. Rufus Wainwright (Pheromone): It's been almost four years since Martha Wainwright released her critically acclaimed album Goodnight City. Her new single, Wolves, was recorded during the Goodnight City sessions but didn't make fit the final album sequence.


Thankfully, it sees the light of day now and is well worth the exposure. Her strong and emotionally expressive voice is showcased here, while the counterpoint vocals of brother Rufus add a pleasing contrast. Unorthodox vocal arrangements retain the listener's interest.

Hailed by many critics as her strongest album yet, Goodnight City featured original Wainwright compositions alongside tunes written by or with her friends and such noted songwriters as Beth Orton, Glen Hansard, brother Rufus Wainwright, author Michael Ondaatje, and Merrill Garbus of tUnE-yArDs. 

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A multi-faceted talent, Wainwright has also been acting (Aviator, Olive Kitteridge) and running Montreal cafe and music venue Ursa.  She is currently finishing up a book and getting ready to record another full-length album.

Most recently Wainwright treated fellow quarantined friends and neighbours in her Montreal neighbourhood with several balcony sing-alongs, organized by POP Montreal and Ursa. Of note: A GoFundMe campaign to support Ursa has been set up.

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PR: Erin Carroll, Cadence Music Group

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Ella Langley
Courtesy Photo

Ella Langley

Country

Ella Langley Stays True to Her Roots on Introspective New Album ‘Dandelion’: Stream It Now

The country star explores heartbreak, love, loss, faith and more on the new set.

Ella Langley‘s “Choosin’ Texas” has planted its roots at the top of the Billboard Hot 100 for five nonconsecutive weeks, but on her new album, Dandelion, she proves that the array of songs on the project are just as grounded in her ever-evolving artistic outlook as they are in her Alabama upbringing.

Across 16 songs (with the album bookended by Langley’s take on the traditional folk poem “Froggy Goes A-Courtin'”), Langley explores heartbreak, love, loss faith, and her unwavering dedication to being exactly who she is. Some songs are entrenched in soft-focused, acoustic-driven melodies, such as “Speaking Terms” and “Most Good Things Do,” but she also showcases her prowess with a ’90s country-leaning barnburner with “I Gotta Quit.”

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