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John Oliver Explains Why New Year’s Eve Is the Worst

The ‘Last Week Tonight’ host asks, “Do you really want to sit on your friend’s sofa and watch hummus turn

John Oliver Explains Why New Year’s Eve Is the Worst

By External Source

The ‘Last Week Tonight’ host asks, “Do you really want to sit on your friend’s sofa and watch hummus turn brown all night?”

Last Week Tonight With John Oliver, like every other show on television, is currently enjoying their Christmas hiatus. However, John Oliver is enjoying the time off less than others, posting a video Sunday night designed with one purpose in mind: Ruining your holidays.


Oliver takes aim at a holiday that is universally despised by everyone regardless of religion: New Year’s Eve. Oliver asks, “Do you really want to sit on your friends’ sofa and watch hummus turn brown all night?”

“New Year’s Eve is like the death of a pet. You know it’s going to happen, but somehow you’re never truly prepared for how truly awful it is,” Oliver says. “New Year’s Eve is the worst. It combines three of the least pleasant things known to mankind: Forced interaction with strangers, being drunk, cold and tired and having to stare at Ryan Seacrest for five solid minutes, waiting for him to tell you what the time is.” -- continue reading Daniel Kreps' Rolling Stone feature, and watch the clip below.

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Ice Spice, "Pretty Privilege"
Courtesy Photo

Ice Spice, "Pretty Privilege"

Rb Hip Hop

Ice Spice Uses ‘Pretty Privilege’ to Her Advantage in Fashion-Forward Music Video

She follows up the release of her "Baddie Baddie" track with a new single.

Six weeks after releasing her “Baddie Baddie” track, Ice Spice returned on Wednesday (Nov. 5) with “Pretty Privilege,” which could signal that her Y2K! follow-up isn’t far away in 2026.

Ice reunites with frequent collaborator RIOTUSA on the production side for the trippy drill-leaning tune. The Bronx native cycles through her typical themes as she addresses the haters, flaunts her looks, deep pockets and how you’ll never hit.

This article was first published by Billboard U.S.
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