advertisement
FYI

Honey Jam Celebrates Past and Future At Media Event

This year’s showcase is funded by Slaight Music, TD Ready Commitment, Ontario Creates, and FACTOR, and will feature artists from Ontario, Quebec, British Columbia, New Brunswick, Alberta and, for the first time, the Yukon.

Honey Jam Celebrates Past and Future At Media Event

By Karen Bliss

Honey Jam, Canada’s female vocalist discovery showcase, held its media launch July 22 in Toronto at host venue El Mocambo, for the second straight year.


“We’re back!” exclaimed Honey Jam founder Ebonnie Rowe from the stage. “You didn’t think a little pandemic and a zombie apocalypse would stop us, did ya? Hell no.”

The event not only introduced the 17 artists who will be showcasing at the 26th annual event, live-streamed Aug. 12, with CBC Radio’s The Block host Angeline Tetteh-Wayoe as emcee, but announced a number of forthcoming pieces, as well as a recap of some accomplishments in spite of covid.

advertisement

Rowe, the recent recipient of CIMA’s Trailblazer Award, told everyone how alum Jordan Alexander has a lead in Gossip Girl and landed the cover of Cosmo; Anjulie racked up a 100 million streams; and Savannah Ré won a 2021 Juno Award and got props from Timbaland who listened to her music on Instagram.

This year’s programme is funded by Slaight Music, TD Ready Commitment, Bell Media, Ontario Creates, and FACTOR, and will feature artists from Ontario, Quebec, British Columbia, New Brunswick, Alberta and, for the first time, the Yukon. The online auditions, both live and submitted, were open to female-identifying talent, ages 14 to 25, in all genres.

CBC will air a Honey Jam radio special on Aug. 9 and a “Honey Jams” playlist, with songs past and current, will air live on CBC Music, starting Aug. 12, coincidentally Rowe’s birthday.

Honey Jam might’ve started 26 years ago as a showcase — Nelly Furtado was famously discovered at it — but it now presents many opportunities throughout the year to help the young women get their foot in the door.

Rowe rattled off many of them, including an upcoming trip to Nashville; a pre-recorded Flow 93.5 concert series from the Phoenix called Flow After Hours to be streamed at a later date; a workshop at Art House; a tour of Doc McKinney’s studio where The Weeknd’s House of Balloons was recorded; and attendance at SOCAN’s inaugural Creative Entrepreneur Summit.

advertisement

Some of the alum, she said, also got brand deals with Adidas, Holt Renfrew and Ralph Lauren. And through their participating in Indie Week, export-ready Lu Kala and Nefe were invited to perform virtually for Brazil’s Music Pro Awards. The Artists for Social Change competition was also won by Megan De Lima.

“So we kept everybody pretty busy during the time leading up to it,” says Rowe, adding that one of her personal highlights this year was during a Q&A she did with Lennon Stella and JP Saxe for a VIP pre-Juno Awards experience for Honey Jammers.  “He said, ‘I didn't know you were the lady who does Honey Jam? I love Honey Jam. Honey Jam’s a legend,’” she recounted. “I could barely speak.”

advertisement
Chairman & Chief Executive Officer of Universal Music Group Sir Lucian Charles Grainge attends Universal Music Group Hosts 2020 Grammy After Party on January 26, 2020 in Los Angeles, California.
Rodin Eckenroth/WireImage

Chairman & Chief Executive Officer of Universal Music Group Sir Lucian Charles Grainge attends Universal Music Group Hosts 2020 Grammy After Party on January 26, 2020 in Los Angeles, California.


Record Labels

Read Lucian Grainge’s Memo on UMG-TikTok Deal: ‘Entire Music Ecosystem’ Will Benefit

The new agreement, announced in the early morning, addresses "key changes in several critical areas," Grainge said in outlining what UMG achieved in negotiations.

Universal Music Group chairman/CEO Lucian Grainge penned a memo to staff, obtained by Billboard, about the music company’s new licensing agreement with TikTok that ended a three-month standoff between the two entities, saying the deal ended with “a decidedly positive outcome,” with TikTok agreeing “to key changes in several critical areas.”

The announcement of the new deal, which came after a high-profile dispute between the world’s largest music company and one of the current premier social media platforms in the world that first erupted in late January, was announced early this morning (May 2). The agreement will see UMG’s millions of compositions and songs, both from its recorded divisions and its publishing company, return to the platform “in due course.” The feud has been one of the biggest talking points in the music business for the better part of this year, with artists and songwriters caught in the middle of the corporate standoff and looking for alternate ways to promote and market their music beyond the parameters of TikTok.

keep readingShow less
advertisement