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FYI

Five “Queb” Rap Rookies To Watch In 2019

Maky Lavender

Five “Queb” Rap Rookies To Watch In 2019

By External Source

Maky Lavender


Born in Montréal’s Pierrefonds neighbourhood, Maky Lavender caught the hip-hop bug a few years ago, after watching the evolution of Québec’s prolific beat-making scene. Inspired by the music of High Klassified, Kaytranada, and Tommy Kruise, the young rapper was filled with a burning desire to be part of a world seemingly so distant and out of reach. “I was from the West Island,” he says. “In my mind, it was impossible to be on par with those guys. But I didn’t give up. I started by gaining the respect of people in my neighbourhood, and I enrolled in a school for sound professionals. Shortly after, I heard that [rapper and member of The Posterz] Nate Husser was looking for a sound engineer, and I began working with him. That was a big boost to my confidence. I owe him a lot.”

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After a few embryonic projects, Lavender stepped into the light in September of 2017 with an EP, Blowfoam 2, that attracted the attention of up-and-coming label, Ghost Club Records. Since then, this Jack-of-all-trades – as confident on the mic as he is a beatmaker and sound engineer – has asserted himself as one of the most well-rounded players of the Québec rap scene. His charisma is highly contagious, and he’s a peerless master of self-deprecation. His humility is like a breath of fresh air in an environment where overblown egos are all too common.

Continue reading the article conducted by Olivier Boisvert-Magnen on SOCAN’S Words and Music Website.

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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