advertisement
FYI

Elvis Costello: Newspaper Pane

Ace wordsmithery and an evocative soundscape mesh to fine effect.

Elvis Costello: Newspaper Pane

By Kerry Doole

Elvis Costello - Newspaper Pane (Concord/UMC): We're not sure if the music of the English bard now qualifies as Canadian content, but we can certainly now stake claim to at least partial ownership of the prolific and acclaimed artist. After all, he's married to Canadian pop/jazz queen Diana Krall and has a residence in BC, as well as being managed by Canadian industry veterans, Steve Macklam and Sam Feldman.


On Friday, Costello released debuted Newspaper Pane, the fifth advance track from his forthcoming album, Hey Clockface, out on Oct. 30. The music for the song was written and produced in New York by composer/arranger, Michael Leonhart (Steely Dan, Donald Fagen, Rufus Wainwright), in collaboration with guitarist Bill Frisell, and completed by lyrical verses Costello added from his westward locale.

advertisement

Trumpeter Leonhart then punctuated Costello’s vocal with a horn arrangement, interweaving with Frisell's guitar and the playing of a New York rhythm section. 

As press notes explain, "the text for Newspaper Pane opens with a description of a woman staring at promises of an unattainable life, printed on a sheet of newspaper that she has taped to a broken window pane against the elements."

This is Elvis at his wordiest finest. Sample lyrics: "Pictures of bright futures somehow ignored, That offered her finery she could never afford, Tempting out savings that she didn’t have or could never risk, Not a fashionable kindness, it was grotesque."

He delivers the lyrics over an intriguing musical soundscape constructed by some of the best in the biz, and the result is as energizing as Bob Dylan's recent superb work.

The song was mixed at Bigtop Studio, Woodland Hills, Los Angeles by Sebastian Krys, Costello’s co-producer for both Hey Clockface and the preceding, Grammy-winning, Look Now album with The Imposters. The accompanying video is a collaboration between Eamon Singer and Arlo McFurlow. 

advertisement

We look forward to the full album with real eagerness.

Links

Website 

Instagram

Twitter

Facebook

Publicity: Amanda McCauley, Indoor Recess

Management: Steve Macklam / Sam Feldman,  Macklam Feldman Management

Agent: Marsha Vlasic, Artist Group International

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement