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Crybaby: A Melody Behind

Roots-rock outfit Crybaby made a splash with a sparkling debut record, Paintings, in 1996. Recently reunited after a long hiatus, they've released this cut from an imminent second album that pairs melancholia-tinged vocals and a resonant guitar twang. Gripping stuff.

Crybaby: A Melody Behind

By Kerry Doole

Crybaby - "A Melody Behind" (Independent): Back before the term Americana was coined, Toronto roots-rock outfit Crybaby made a splash in the mid-'90s with a sparkling 1996 debut record, Paintings, produced by Grammy-winner Peter J. Moore.


The band imploded shortly after, but recently reunited, with a slightly different lineup. A second album, Still, is complete, and the first track released, "A Melody Behind," shows the group hasn't missed a beat. The resonant twang of the guitars neatly complements the melancholia-tinged vocals of Rae Billing.

Crybaby is built around her songs, and she delivers them in a voice redolent of emotional authenticity (Lucinda Williams is a clear reference point). She is more than ably abetted by a band comprising A-list players from Hamilton and Toronto, including guitarists Steve Koch (Ron Sexsmith) and Andrew Aldridge (Sarah Slean), Greg Brisco (Junkhouse) on keys, and drummer Lucky Pete Lambert (Kensington Hillbillies).

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Young roots-based artists seem to get all the attention these days, but these seasoned veterans deserve the spotlight.

Crybaby will launch the album with CD release parties April 14 at Pearl Company in Hamilton and April 19 at Cadillac Lounge in Toronto. Edgar Breau and Colina Phillips from Simply Saucer will open the Toronto show.

CRYBABY A Melody Behind (from album STILL) from lumaRae Photography on Vimeo.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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