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Crybaby: A Melody Behind

Roots-rock outfit Crybaby made a splash with a sparkling debut record, Paintings, in 1996. Recently reunited after a long hiatus, they've released this cut from an imminent second album that pairs melancholia-tinged vocals and a resonant guitar twang. Gripping stuff.

Crybaby: A Melody Behind

By Kerry Doole

Crybaby - "A Melody Behind" (Independent): Back before the term Americana was coined, Toronto roots-rock outfit Crybaby made a splash in the mid-'90s with a sparkling 1996 debut record, Paintings, produced by Grammy-winner Peter J. Moore.


The band imploded shortly after, but recently reunited, with a slightly different lineup. A second album, Still, is complete, and the first track released, "A Melody Behind," shows the group hasn't missed a beat. The resonant twang of the guitars neatly complements the melancholia-tinged vocals of Rae Billing.

Crybaby is built around her songs, and she delivers them in a voice redolent of emotional authenticity (Lucinda Williams is a clear reference point). She is more than ably abetted by a band comprising A-list players from Hamilton and Toronto, including guitarists Steve Koch (Ron Sexsmith) and Andrew Aldridge (Sarah Slean), Greg Brisco (Junkhouse) on keys, and drummer Lucky Pete Lambert (Kensington Hillbillies).

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Young roots-based artists seem to get all the attention these days, but these seasoned veterans deserve the spotlight.

Crybaby will launch the album with CD release parties April 14 at Pearl Company in Hamilton and April 19 at Cadillac Lounge in Toronto. Edgar Breau and Colina Phillips from Simply Saucer will open the Toronto show.

CRYBABY A Melody Behind (from album STILL) from lumaRae Photography on Vimeo.

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Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians
Matt Cardy/Getty Images

Mo Chara, DJ Provaí and Móglaí Bap of Kneecap performs on the West Holts Stage during during day four of Glastonbury Festival 2025 at Worthy Farm, Pilton on June 28, 2025 in Glastonbury, England.

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Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians

The Irish rap trio went after the Norwegian government over its investments, which are currently under scrutiny, at Øyafestivalen.

Irish rap group Kneecap – which has drawn a storm of criticism, support, attention and legal action over the past half-year – continued to speak out about the war in Gaza during an afternoon set at the Øyafestivalen in Oslo, Norway, on Friday (Aug. 8).

Right before the trio of Mo Chara, Móglaí Bap and DJ Próvaí took the stage, an English-language white-text-on-black-background message played on a video screen, accusing the Norwegian government of “enabling” the “genocide” against the Palestinian people via investments held in the county’s sovereign wealth fund (referenced as “oil pension fund” in the message). “Over 80,000 people have been murdered by Israel in 21 months,” the band’s message continued. “Free Palestine.” The message was greeted readily by a cheering audience. Most estimates (including those from health officials in the area) place the Palestinian death toll at more than 60,000. That number does not distinguish between civilians and Hamas militants. An estimated 18,500 of those killed were children.

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