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FYI

Crybaby: A Melody Behind

Roots-rock outfit Crybaby made a splash with a sparkling debut record, Paintings, in 1996. Recently reunited after a long hiatus, they've released this cut from an imminent second album that pairs melancholia-tinged vocals and a resonant guitar twang. Gripping stuff.

Crybaby: A Melody Behind

By Kerry Doole

Crybaby - "A Melody Behind" (Independent): Back before the term Americana was coined, Toronto roots-rock outfit Crybaby made a splash in the mid-'90s with a sparkling 1996 debut record, Paintings, produced by Grammy-winner Peter J. Moore.


The band imploded shortly after, but recently reunited, with a slightly different lineup. A second album, Still, is complete, and the first track released, "A Melody Behind," shows the group hasn't missed a beat. The resonant twang of the guitars neatly complements the melancholia-tinged vocals of Rae Billing.

Crybaby is built around her songs, and she delivers them in a voice redolent of emotional authenticity (Lucinda Williams is a clear reference point). She is more than ably abetted by a band comprising A-list players from Hamilton and Toronto, including guitarists Steve Koch (Ron Sexsmith) and Andrew Aldridge (Sarah Slean), Greg Brisco (Junkhouse) on keys, and drummer Lucky Pete Lambert (Kensington Hillbillies).

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Young roots-based artists seem to get all the attention these days, but these seasoned veterans deserve the spotlight.

Crybaby will launch the album with CD release parties April 14 at Pearl Company in Hamilton and April 19 at Cadillac Lounge in Toronto. Edgar Breau and Colina Phillips from Simply Saucer will open the Toronto show.

CRYBABY A Melody Behind (from album STILL) from lumaRae Photography on Vimeo.

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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