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FYI

Corey Hart Makes A Splash With New EP, and Quebec Singer Yama Laurent Is A Wow!

Billie Eilish remains at No. 1, but Corey Hart and Quebec La Voix winner Yama Laurent (pictured) are among those with prominent new releases

Corey Hart Makes A Splash With New EP, and Quebec Singer Yama Laurent Is A Wow!

By FYI Staff

Billie Eilish’s When We All Fall Asleep, Where Do We Go? returns to the No. 1 position on the Billboard Canadian Albums chart for the third non-consecutive week, with 8,600 total consumption units, including the highest audio-on-demand streams and digital song download totals in the period. It is only the third album so far in 2019 to spend at least three weeks at No. 1, following the soundtrack to A Star Is Born and Ariana Grande’s Thank U, Next.


Khalid’s Free Spirit rebounds 4-2 with a 9% consumption increase.

The top debut is Corey Hart’s five-song EP Dreaming Time Again which lands at 3, earning the highest album sales in the week. This is his highest charting album in the Nielsen SoundScan era, and highest chart peak since his 1996 self-titled album levelled out at 34.

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NYC rock band Vampire Weekend’s Father of The Bride debuts at 6. It is the band’s first charted album since Modern Vampires of The City peaked at 2 in 2013.

Other debuts in the top 50 include Philly rapper PnB Rock’s TrapStar Turn PopStar, at 14; Swedish death metal outfit Amon Amarth’s Berserker, at 19; La Voix winner Yama Laurent’s self-titled album, at 28; and prolific Quebec rapper Fouki’s ZayZay, at 37.

Lil Nas X’s Old Town Road holds at the top of the Streaming Songs chart and returns to No. 1 on the Digital Songs chart.

Shawn Mendes’ If I Can’t Have You debuts at 2 and 3 on the Digital Songs and the Streaming Songs charts respectively. It is his highest debut to date on both countdowns and his highest peak on the Streaming chart.

All data courtesy of SoundScan with colour commentary provided by Nielsen Canada director Paul Tuch.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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