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FYI

Chris Taylor Joins Influential Club Of Global Music Czars

The Toronto native has turned unknowns into millionaires, built an impressive management and recording imprint, consulted the stars and now runs a global music empire that spans management, publishing, event production and master recordings.

Chris Taylor Joins Influential Club Of Global Music Czars

By David Farrell

Over the years, musician, music entrepreneur and lawyer Chris Taylor has helped more than a few artists become millionaires and, along the way, created an empire that seems to forever expand.


His client list is confidential but Drake and music IP firm ole are two known notables affiliated with his legal practice. He recently sold his label imprint, Last Gang Records, one that includes Emily Haines, Death From Above 1979, Arkells, Stars and Crystal Castles on its roster–and simultaneously became Global President of eOne Music that has footprints in master recordings, distribution, licensing, music, event production, publishing and management.

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This week, the Toronto native joined an elite group of entertainment czars in Variety magazine’s annual list of International Music Leaders. Taylor is the lone Canadian in the list, while others in the august group include Beggars Banquet co-founder/Chair Martin Mills, IFPI CEO Frances Moore, Live Nations Concert President John Reid, UTA global chief Neil Warnock, and Kobalt Music founder/CEO Willard Ahdritz.

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'Jazz infernal'
Lian Benoit

'Jazz infernal'

Tv Film

Montreal Jazz Culture Takes Centre Stage at TIFF 2025

Chosen for TIFF 2025’s Short Cuts Program 01, Jazz infernal by Will Niava features original music, blending Montreal’s jazz heritage with the contemporary journey of a young Ivorian trumpeter in exile.

Driven by jazz as a universal language, the short film Jazz Infernal follows the journey of a young Ivorian trumpeter navigating exile, integration, and Afro-descendant memory.

Premiered last week at Toronto’s Scotiabank Theatre and nominated in the short films category at TIFF 2025, the film premiered as part of Short Cuts on September 4.

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