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FYI

Bobby Bazini, Kathleen Edwards Chart With New Albums

Pop Smoke’s Shoot For The Stars Aim For The Moon returns to No.

Bobby Bazini, Kathleen Edwards Chart With New Albums

By FYI Staff

Pop Smoke’s Shoot For The Stars Aim For The Moon returns to No. 1 on the Billboard Canadian Albums chart with close to 10,000 total consumption units and the highest on-demand-streams for the week. It is the third week at the top for the album, after spending the last three at No. 2.


Taylor Swift’s folklore, which held the top spot for the last three weeks, falls to No. 2, while once again scoring the highest album sales total in the week.

Juice WRLD’s Legends Never Die holds at No. 3, Harry Styles’ Fine Line moves 6-4 with the highest digital song download total for the week, and DaBaby’s Blame It On Baby drops to No. 5.

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The highest new entry for the week belongs to Kane Brown’s Mixtape Vol. 1, at No. 16. It is his highest-charting album to date, surpassing the No. 17 peak of his last release, 2018’s Experiment.

Burna Boy’s Twice As Tall lands at No. 19, his highest-charting album to date. His 2019 album African Giant peaked at 33.

Total Freedom, Kathleen Edwards’ first album in more than eight years, debuts at 24, with the second-highest album sales total for the week. Her last release, Yoyageur, peaked at No. 2 in January 2012.

Bobby Bazini’s Move Away debuts at 42. It is his first charted album since Summer Is Gone reached No. 2 in November 2016.

All data courtesy of SoundScan with additional detail provided by MRC’s Paul Tuch.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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