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FYI

Abba's Benny Andersson On Songwriting

So many songs are now written by committee, and I don’t understand how that works because for me a song starts with melody combined with chords.

Abba's Benny Andersson On Songwriting

By External Source

Who are your favourite songwriters from any era?


Well if we extend it to include composers, it is Johan Sebastian Bach at number one – and then comes nothing for a long time. Then people like Richard Rodgers, Irving Berlin, Lennon and McCartney, of course, Brian Wilson, one of my heroes, Ray Davies, Tony Hatch. I won’t be able to remember all the names. And I like the work of [fellow Swede] Max Martin; he knows what he’s doing.

But, so many songs are now written by committee, and I don’t understand how that works because for me a song starts with melody combined with chords. I arrange the song, with bass and drums, after the song is finished, not the other way around. If I start with the drums and the bass and then add some chords, randomly, and then try to write a melody… I don’t know how that works; I don’t get it.

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What that lacks, I think, is a ‘sender’. If someone likes my music, that’s me; it’s me sending it to you. If there are seven people behind it, are they all honest? Do they all mean it?

Benny Andersson, the founding member of Abba, in an interview published by Music Business Worldwide

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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