advertisement
Music News

The Weeknd Praises Anitta, Talks About Their Collab

The Canadian singer performed in São Paulo on Saturday.

Abel 'The Weeknd' Tesfaye performs on stage at MorumBIS on Sept. 7, 2024 in Sao Paulo, Brazil.

Abel 'The Weeknd' Tesfaye performs on stage at MorumBIS on Sept. 7, 2024 in Sao Paulo, Brazil.

Pedro Vilela/Getty Images

The choice of São Paulo, Brazil, to kick off The Weeknd‘s new tour was no coincidence. The Canadian singer — cover star of the 10th edition of Billboard Brazil — was in the city last October, performing at two sold-out nights at Allianz Parque with the show After Hours Til Dawn.

At the time, American producer Mike Dean (who has worked with Jay-Z, Lana Del Rey and Ye) asked Anitta for a vocal recording to complement the Canadian’s special performance set.


The result was beyond expectations: based on the material sent by the Brazilian, Abel Tesfaye — the singer’s real name — composed the song that became the centerpiece of the new concert. The album will be called Hurry Up Tomorrow.

advertisement

“Anitta is a great friend. What she sent was so awesome that we created the song,” praises The Weeknd, in an exclusive interview with Billboard Brasil.

“We knew it was too special to just play on stage. We saw great potential in the song and found the beat, which is the heart of the show,” he explains.

Anitta says she has fulfilled a dream. “I wrote some verses as a joke and never imagined they would become serious. Suddenly, I received the finished song. I loved it! I felt very honored and flattered,” the singer tells Billboard Brasil.

“I’ve always been a big fan of his and his work. I never imagined this would happen, and now it’s a dream come true. It’s a little more Brazilian funk, as promised, around the world.”

This story appeared on Billboard U.S. after originally appearing on Billboard Brazil.

advertisement
Vans Warped Tour
@jakewestphoto

Vans Warped Tour

Touring

‘That’s What This Is All About’: Kevin Lyman on 30 Years of Vans Warped Tour and What Comes Next

"The industry talks a big game about artist development," Lyman says. "But we are willing to die trying."

When Kevin Lyman launched Vans Warped Tour in 1995, he made a decision that confused a lot of people in the industry: no headliners.

Every artist on the bill listed alphabetically, given equal billing, equal space on the poster. Three decades later, with Warped returning for its biggest edition yet — five two-day U.S. festivals across Washington D.C., Long Beach and Orlando, plus international debuts in Montreal and Mexico City — that decision looks less like idealism and more like foresight.

keep readingShow less
advertisement