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The Weeknd Praises Anitta, Talks About Their Collab

The Canadian singer performed in São Paulo on Saturday.

Abel 'The Weeknd' Tesfaye performs on stage at MorumBIS on Sept. 7, 2024 in Sao Paulo, Brazil.

Abel 'The Weeknd' Tesfaye performs on stage at MorumBIS on Sept. 7, 2024 in Sao Paulo, Brazil.

Pedro Vilela/Getty Images

The choice of São Paulo, Brazil, to kick off The Weeknd‘s new tour was no coincidence. The Canadian singer — cover star of the 10th edition of Billboard Brazil — was in the city last October, performing at two sold-out nights at Allianz Parque with the show After Hours Til Dawn.

At the time, American producer Mike Dean (who has worked with Jay-Z, Lana Del Rey and Ye) asked Anitta for a vocal recording to complement the Canadian’s special performance set.


The result was beyond expectations: based on the material sent by the Brazilian, Abel Tesfaye — the singer’s real name — composed the song that became the centerpiece of the new concert. The album will be called Hurry Up Tomorrow.

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“Anitta is a great friend. What she sent was so awesome that we created the song,” praises The Weeknd, in an exclusive interview with Billboard Brasil.

“We knew it was too special to just play on stage. We saw great potential in the song and found the beat, which is the heart of the show,” he explains.

Anitta says she has fulfilled a dream. “I wrote some verses as a joke and never imagined they would become serious. Suddenly, I received the finished song. I loved it! I felt very honored and flattered,” the singer tells Billboard Brasil.

“I’ve always been a big fan of his and his work. I never imagined this would happen, and now it’s a dream come true. It’s a little more Brazilian funk, as promised, around the world.”

This story appeared on Billboard U.S. after originally appearing on Billboard Brazil.

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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