advertisement
Music News

The Weeknd Delivers a Haunting Rendition of ‘Open Hearts’ on ‘Kimmel’

The performance offered a glimpse into the darker, more introspective aesthetic underpinning Hurry Up Tomorrow.

The Weeknd performed on 'Jimmy Kimmel Live!' on Jan. 31.

The Weeknd performed on 'Jimmy Kimmel Live!' on Jan. 31.

Jimmy Kimmel Live!

The Weeknd doesn’t just perform—he curates experiences.

Hours before the release of Hurry Up Tomorrow, the Canadian artist made a striking appearance on Jimmy Kimmel Live!, delivering a cinematic rendition of “Open Hearts” that blurred the line between live television and a full-scale production.


The performance opened in stark black and white, with Tesfaye cloaked in a shadowy robe, his glowing eyes creating an almost otherworldly presence. The stripped-back visuals felt deliberately unsettling, as if pulled from the surreal worlds of David Lynch, setting the tone for what was to come.

As the song progressed, the atmosphere began to shift. The stage dissolved into an animated, stop-motion dreamscape, with jagged transitions and uncanny imagery. The performance balanced minimalism and surrealism, offering a glimpse into the darker, more introspective aesthetic underpinning Hurry Up Tomorrow.

advertisement

The surreal aesthetic has only heightened speculation that the upcoming Hurry Up Tomorrow film—arriving in theaters May 16—will explore similarly haunting and imaginative territory.

With Hurry Up Tomorrow now out via XO/Republic Records, the performance stands as a gateway into The Weeknd’s latest (and potentially final) chapter under his longtime moniker.

The album, which serves as the closing installment in his trilogy following After Hours (2020) and Dawn FM (2022), carries a deeply introspective tone. While it boasts high-profile collaborations like Playboi Carti (“Timeless”) (which debuted at No. 3 on the Billboard Hot 100) and Anitta (“São Paulo”), the most talked-about moment is Lana Del Rey’s uncredited feature on “The Abyss.”

Meanwhile, “Dancing in the Flames,” which was previously teased, was left off the final tracklist entirely, leaving fans speculating about its fate.

Originally scheduled for release on Jan. 24, the album was delayed as The Weeknd pledged $1 million to LA wildfire relief efforts, canceling a planned Rose Bowl album release concert in the process. Proceeds from the track “Take Me Back to LA” will also be donated to the LA Regional Food Bank, providing further aid to those affected.

advertisement

As The Weeknd pivots toward his feature film debut in Hurry Up Tomorrow, directed by Trey Edward Shults and starring Jenna Ortega and Barry Keoghan, performances like his Jimmy Kimmel Live! appearance suggest that his storytelling is only becoming more ambitious.

Whether or not this truly marks the end of The Weeknd, his ability to merge music and visual spectacle continues to evolve, making Hurry Up Tomorrow a fitting conclusion to this phase of his career.

In tandem with his live performance, The Weeknd has launched a series of events to further immerse fans in the world of Hurry Up Tomorrow.

In partnership with Spotify, the Hurry Up Tomorrow Pop-Up Experience will take place in New York City from Friday, Jan. 31, through Sunday, Feb. 2. This interactive art installation will transport fans into Tesfaye’s creative world, offering a glimpse into the final act of his acclaimed trilogy.

Meanwhile, specialty retailer Hot Topic is showcasing an expansive Hurry Up Tomorrow merchandise collection, including tees, hoodies, posters, and the highly anticipated The Weeknd x Frank Miller Hurry Up Tomorrow apparel capsule – available only in Las Vegas at the “takeover”.

advertisement

From Jan. 31 to Feb. 2, the Downtown Summerlin Hot Topic store in Las Vegas will host a Hurry Up Tomorrow “takeover,” transforming the space into an exclusive retail experience.

Watch his performance on Jimmy Kimmel below.

This article was first published by Billboard U.S.

advertisement
Jisoo in Netflix's 'Boyfriend on Demand.'
Courtesy of Netflix

Jisoo in Netflix's 'Boyfriend on Demand.'

Pop

From BLACKPINK to Running Her Own Company to ‘Boyfriend on Demand’, Jisoo Enters Her Most Mature Phase

The singer-actress is the cover star of Billboard Brasil's 21st edition.

In 2011, a teenager from Gunpo, a city 30 km from Seoul, crossed the South Korean capital to audition at YG Entertainment. The 16-year-old faced a line of hundreds of candidates, performed for the judges, and left the building without knowing the result of the audition that would change her life forever. Shortly after, Jisoo joined the agency’s exclusive trainee program. She went through countless hours of rehearsals and music, singing and dance classes over five years before debuting in BLACKPINK alongside three other girls — and the rest is history with a capital H. The group was one of the driving forces behind K-pop’s surge in global popularity over the following decade.

advertisement

keep readingShow less
advertisement