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Taylor Swift Marks End of Eras Tour With Photos From Vancouver and a Brief Nod to ‘All Too Well’

The "I Can Do It With a Broken Heart" singer posted 17 concert pics and a short note.

Taylor Swift performs onstage during "Taylor Swift | The Eras Tour" at BC Place on Dec. 6, 2024 in Vancouver, British Columbia.

Taylor Swift performs onstage during "Taylor Swift | The Eras Tour" at BC Place on Dec. 6, 2024 in Vancouver, British Columbia.

Kevin Winter/TAS24/Getty Images for TAS Rights Management

Taylor Swift‘s goodbye to The Eras Tour was a short and sweet one on social media following a trio of performances in Vancouver last weekend, the final three dates of a 149-show tour that grossed more than $2 billion in 2023-2024.

The “I Can Do It With a Broken Heart” hitmaker uploaded a series of live concert photos — 17, to be exact, all of which appear to be from her three-day takeover of the Canadian city’s BC Place from Dec. 6-8 — on Wednesday (Dec. 11), three days after the very last Eras date. A brief message from Swift accompanied the pictures.


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“It was rare. I was there. I remember it,” read the caption on Swift’s post. The words, pulled from her Red opus “All Too Well,” were crowned with a classic red heart emoji — instead of the white heart that’s often been attached to posts about her most recent release, the Billboard 200 chart-topping album The Tortured Poets Department and its expanded Anthology.

Swift’s pictures show group bows and hugs, a backstage shot with her band and dancers, triumphant performance shots, those last “August” twirls, her duet with opener Gracie Abrams and more.

There were no end-of-tour hijinks on the final weekend of The Eras Tour, at least none publicly displayed on the stage for the 60,000-per-night crowd to see. The culmination of this tour celebrated a fine-tuned level of showmanship, with all three nights professionally filmed for an unannounced project. The shows featured surprise song highlights like “Never Grow Up”/”The Best Day” (her parents were in attendance), “The Tortured Poets Department”/”Maroon” (this one presumably goes out to a Tortured Poets muse), and “Long Live”/”New Year’s Day”/”The Manuscript” (a closing night mashup of post-Eras reflection).

Billboard editors were on site to review all three shows. Find our thoughts on night one (written by me), night two (written by Danielle Pascual) and night three (written by Jason Lipshutz).

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See Swift’s photo collection from the last weekend of The Eras Tour on Instagram here.

This article was originally published by Billboard U.S.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

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Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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