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FYI

The Weeknd: Blinding Lights

Abel Tesfaye's new single, one that doubles as a long Mercedes-Benz ad, features '80s style synths and is a refreshing change of pace for the global star.

The Weeknd: Blinding Lights

By Kerry Doole

The Weeknd - Blinding Lights (Universal Republic Records/UMG): This new cut from The Weeknd is, in essence, an ad for Mercedes-Benz, yet is being treated as a legit single for chart purposes. Given the current blinding star power of Abel Tesfaye, it will of course rocket up those charts faster than a Merc on the autobahn.


The Weeknd has been named Creative Director of Mercedes-Benz's "Enjoy Electric," campaign, one that celebrates the market launch of the Mercedes-Benz EQC, the famed car company's all-electric EQC. The campaign features a TV ad, a long-format film, and four product films available on the brand's social media channels, with The Weeknd the main protagonist of the films.

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The track itself has a different sonic vibe than The Weeknd's signature dark contempo R&B, thanks to pulsating synths with an '80s Anglo electro-pop feel (his other new single, Heartless, sticks to his original template). Lyrically, it references lost love, so of course the blogosphere is speculating over whether Bella Hadid or Selena Gomez is the source material.

The accompanying video is sleek and polished, featuring vignettes of M-B models through the years. Definitely eye-catching, and you can bet it will register high view totals as word gets out.

The Weeknd's upcoming fourth studio album, reportedly entitled Chapter V1, is expected in 2020

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Tate McRae photographed by Heather Hazzan on February 20, 2026 in New York. Motion Stills by Grayson Kohs. Styling by Chloe & Chenelle. Hair by Joey George at Streeters. Makeup by Kennedy at Streeters. Manicure by Juan Alvear. Saint Laurent by Anthony Vaccarello jacket and shoes.
Tate McRae photographed by Heather Hazzan on February 20, 2026 in New York. Motion Stills by Grayson Kohs. Styling by Chloe & Chenelle. Hair by Joey George at Streeters. Makeup by Kennedy at Streeters. Manicure by Juan Alvear. Saint Laurent by Anthony Vaccarello jacket and shoes.
Awards

How Tate McRae Leveled Up To Main Pop Girl Status

Billboard's Women in Music Hitmaker is known for her stunning performances — but her pen has always been her secret weapon, and it's yielding pop bangers.

Before there was Tate McRae, ultra-polished pop performer, there was Tate McRae, preteen from Calgary, Alberta, writing songs at home and uploading them to YouTube.

And while McRae’s high-caliber, intricately choreographed performances and visually striking, maximalist music videos have arguably become the focal points of her public image today (manifesting in a fierce alter ego she calls Tatiana), it’s her other side that Billboard is honoring as this year’s Women in Music Hitmaker — the one who used to take solace in crafting lyrics to sing not in front of more than 10,000 screaming fans but alone in her bedroom. The 22-year-old’s underappreciated pen is just as lethal as her performance capabilities. After a modest debut in the familiar lane of Gen Z pop melancholia — making her first Billboard Hot 100 appearance in 2020 with “You Broke Me First” — McRae enlisted fellow hit-makers Ryan Tedder and Amy Allen to help craft pristine, radio-­friendly pop bangers that she could actually move to, tapping into her upbringing as a competitive dancer onstage and channeling past pop icons such as Britney Spears (to whom she’s now ­frequently compared).

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