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Virtual Shows And The Sound Of One Hand Clapping

Oh, hi there, I’ll be the applause coach for your next live from the living room, pandemic concert.

Virtual Shows And The Sound Of One Hand Clapping

By Matt Zimbel

Oh, hi there, I’ll be the applause coach for your next live from the living room, pandemic concert.


Oh, no, believe me, you need an applause coach - have you seen any of these online and self-isolated concerts? The artists pour their hearts out, ramp up to the end of the tune. Boom! Nailed it! To a rousing round of um…nothing.  To a Grand Canyon of… silence.  Thank God it only lasts 10 minutes!  Or so it seems.

These between tune awkward silences appear nightly on my laptop. They remind me of something but I can’t quite place it. Oh right!  A funeral! You know that moment at the service when someone tells a great story about our dearly departed and we all sit there wondering, “should we applaud?  Is applause appropriate?”  AWKWARD!

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Look, I plan on being dead at my funeral, but that does not mean I want dead air.  I have instructed the event producer overseeing the production of my eventual passing that she is to insist on both storytelling and the right to applause. This was the only instruction given, that and to make sure the fucking crusts on the sandwiches are cut off.

Joel Plaskett's recent solo concert from an empty local coffee house in his Dartmouth neighbourhood featured applause sound effects recorded at what sounded like U2’s last show at Wembley. Joel would trigger it with a foot pedal at the end of the tune and then shyly smirk as he warmly acknowledged the, um, audience.

So, here’s the take away; To manage this silence you have to own it. Nod, right away, dive into another groove and start telling a story. If it’s not storytime, just move onto the next tune. Or have your co-quarantined road manager look to the comments section and read the feed.  “Big shout out from Bob in Saskatoon!”

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Or you could just pretend nothing has changed.  “Awesome! You guys are great!  See you after at the merch table!”

Sheltered in Place,

Matt

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From left: Gracie Abrams and Aaron Dessner photographed by Wesley Mann on September 1, 2023 at Long Pond Studio near Hudson, NY.
Wesley Mann

From left: Gracie Abrams and Aaron Dessner photographed by Wesley Mann on September 1, 2023 at Long Pond Studio near Hudson, NY.

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Aaron Dessner Sets the Record Straight on Gracie Abrams’ ‘Death Wish’: It’s ‘Definitely Not’ About Taylor Swift

The producer also shared how he ended up performing with Noah Kahan over the weekend.

Aaron Dessner and Gracie Abrams have now made three albums together, with the pop star’s third studio effort, Daughter From Hell, arriving July 17. But one song in particular has stirred up a few misconceptions, and in a recent conversation with Billboard, the producer cleared them up.

Hopping on a Zoom call on Tuesday (July 21) — just days after joining Noah Kahan on stage in New York to perform one of The Great Divide songs he produced, a cameo that severe weather almost ruined — Dessner addressed confusion over the production and subject of “Death Wish,” one of the most talked-about tracks on Daughter From Hell. Some listeners have expressed surprise that the spritely album version sounds so different from the somber live piano version Abrams initially recorded and released amid her Secret of Us Tour, questioning why the duo would “change” the “original.” (Spoiler alert: They didn’t.)

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