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Tay's 'folklore' Remains No.1 For Third Consecutive Week

Taylor Swift’s folklore spends its third straight week at No.

Tay's 'folklore' Remains No.1 For Third Consecutive Week

By External Source

Taylor Swift’s folklore spends its third straight week at No. 1 on the Billboard Canadian Albums chart, scoring the highest album sales total for the week and achieving 14,000 total consumption units. It matches Reputation, the 2017 album that marks her second-longest-running chart-topping album, trailing only 1989 which spent nine weeks at No. 1 beginning in late 2014.


Pop Smoke’s Shoot For The Stars Aim For The Moon, which picks up the highest on-demand stream total for the week, and Juice WRLD’s Legends Never Die, hold their positions at Nos. 2 and 3, while DaBaby’s Blame It On Baby edges 5-4.

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Luke Bryan has the highest debut for the week as Born Here Live Here Die Here enters at No. 5. It is his seventh top-five album and it matches the peak of his last release, 2017’s What Makes You Country.

Four more new releases debut in the top 20 this week with each act scoring their highest charting album to date. Glass Animals’ Dreamland comes in at 13, surpassing the No. 50 peak of 2016’s How To Be A Human Being. Nle Choppa’s Top Shotta lands at No. 14, topping 64 Cottonwood’s debut in December. Popcaan’s Fixtape debuts at No. 15, surpassing Forever that debuted at 72 in 2018, and Amine’s Limbo lands at No. 16, topping his No. 59 Good For You in 2017.

 

All data courtesy of SoundScan with additional detail provided by MRC’s Paul Tuch.

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Mili
Courtesy Photo

Mili

Features

Mili is Connecting Cultures Through Afro-House

The Iranian DJ-producer made a viral hit with “El Youm El Helw Dah,” which brought together Iranian, Palestinian and Egyptian artists on one track. Now, he’s looking to push his sound in new directions.

Mili is on a mission.

The Iranian producer-DJ, who is based in Toronto, has been DJing for over 16 years but began releasing his original Afro house tracks two years ago. He sees the genre as a gateway for global styles like Arabic and African music to reach the rest of the world, including Western audiences who are less accustomed to them.

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