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Samaritan Q&A: Milck Empowers #MeToo and Answers How Man Can Help

The 30-year-old LA-based Atlantic Records signing bravely sang about her own experience of sexual abuse and harassment in the ballad “Quiet,” which fanned the flames of the #METOO Movement when she performed it at the 2017 Women’s March on Washington.

Samaritan Q&A: Milck Empowers #MeToo and Answers How Man Can Help

By Nick Krewen

Milck, the 30-year-old Los Angeles-based Atlantic Records signing born Connie Lim, calls the #MeToo movement that’s gone global — and called out many high profile men for their inappropriate and often criminal conduct — “a very carnal way of us manifesting our resistance,” she tells Samaritanmag.


She bravely sang about her own experience of sexual abuse and harassment in the ballad “Quiet,” which fanned the flames of the #METOO Movement when she performed it at the 2017 Women’s March on Washington. The video went viral — and there were flashmob performances of the song in Sweden, Australia and Ghana — and led to her record deal.

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To further her support of sexual assault victims, Milck also recently launched the #ICan’tKeepQuiet Fund, which supports three organizations: The Joyful Heart FoundationStep Up and Tuesday Night Project. The title is based on her #ICANTKEEPQUIET movement.

Milck spoke with Samaritanmag about this outspoken movement, the shift in power, the healing, the triggering, the community, the inspiration,  and involving men in the conversation and solution – continue reading Samaritan mag here.

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Carly Rae Jepsen
Meredith Jenks

Carly Rae Jepsen

Pop

604 Records Co-Founder Jonathan Simkin Says Carly Rae Jepsen Recorded a Whole Unreleased Album Around 'Call Me Maybe'

The British Columbia-native was signed to Interscope Records, but was reportedly tasked to make a brand new record with all new producers.

An unreleased Carly Rae Jepsen project exists out in the music ether, according to Jonathan Simkin.

In a recent podcast episode of I Hate Simkin, the 604 Records co-founder reveals that prior to the No. 1 success of Jepsen’s “Call Me Maybe,” an entire project had been made — but it didn’t make it to the masses.

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