advertisement
FYI

Prism Prize Video: Madchild - Demons

The 2019 Prism Prize for Best Canadian Music Video was awarded to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile noteworthy Canadian videos, including this one from a popular veteran BC hip-hop artist.

Prism Prize Video: Madchild - Demons

By External Source

The 2019 Prism Prize for Best Canadian Music Video was awarded to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile noteworthy Canadian videos, including this one from a popular veteran BC hip-hop artist.


Madchild - Demons

Madchild is a pseudonym for artist Shane Bunting, who is part of acclaimed hip-hop group Swollen Members, based out of Vancouver, BC. 

Lyrically, Demons offers a hard and honest look into the addictive personality that continues to haunt Madchild. The song also takes a stab at the repercussions of drug and alcohol usage. The song is a message to himself about all the bad decisions he’s made and how it’s time to move on and be a better person. 

advertisement

The video follows the lyrics. It shows Madchild in a motel room with a couple of girls. There is heavy drug and alcohol use in the video, which only showcases more of the demons that Madchild is dealing with.  The clip has amassed almost 1.2M YouTube views.

Directed by Anthony La Rose

Producer: C-Lance

Cinematography by Andrew Smith

Video content: explicit 

advertisement
Jack Antonoff attends the "Honey Don't!" red carpet at the 78th annual Cannes Film Festival at Palais des Festivals on May 23, 2025 in Cannes, France.
Stephane Cardinale/Corbis via Getty Images

Jack Antonoff attends the "Honey Don't!" red carpet at the 78th annual Cannes Film Festival at Palais des Festivals on May 23, 2025 in Cannes, France.

Concerts

Jack Antonoff Goes Off on Corporations That ‘Monopolize’ the Concert Industry: ‘Chill the F–k Out’

"I've seen it from every level," the Bleachers frontman told Hayley Williams in conversation.

Jack Antonoff is frustrated with the concert industry, which he says has fallen victim to large corporations trying to “monopolize the whole f–king thing.”

In a musicians-on-musicians conversation with Hayley Williams published by Rolling Stone on Thursday (Oct. 16), the Bleachers frontman opened up about the way he’s seen live music change for the worse over the years. “I’ve seen it from every level,” he told the Paramore bandleader. “What f–ks me off is, why is drawing a few hundred people not an honest living?”

keep readingShow less
advertisement