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FYI

Post Malone, Childish Gambino Have This Week's No. 1s

Rap, hip-hop and French pop acts rock this week's streaming songs and albums charts.

Post Malone, Childish Gambino Have This Week's No. 1s

By FYI Staff

Post Malone picks up his first chart-topping album as Beerbongs & Bentleys jumps 2-1 on the Billboard Canadian Albums chart this week, with 22,000 total consumption units. The album once again has the most on-demand streams for the week, with 27 million.


Quebec superstar Eric Lapointe’s Delivrance debuts at 2, picking up the highest album sales total for the week with over 15,000 units sold. It surpasses the No. 6 peak of his last album, 2013’s Jour De Nuit and it is his highest charting album since his first No. 1 album, 2008’s Ma Peau.

Leon Bridges’ Good Thing debuts at 3. It surpasses the No. 3 peak of his debut release, 2015’s Coming Home.

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Tupelo, Mississippi hip-hop duo Rae Sremmurd’s SR3MM debuts at 4. It is the brothers’ first top ten album, besting the No. 13 peak of their first charted album, 2015’s Sremmlife.

Floridian rock act Shinedown’s Attention Attention debuts at 8. It matches the peak of their last release, 2015’s Threat To Survival.

Following two sold-out shows at Montreal’s Olympia last week, French pop singer Christophe Maé’s L’attrape-Reves rockets 111-9 with a 440% consumption increase. The album debuted at 57 in mid-March.

The one other new entry to debut in the top 50 this week belongs to American rapper Royce Da 5’9’s Book Of Ryan, at 27.

Following his much talked about appearance on Saturday Night Live, Donald Glover’s musical alter-ego Childish Gambino scores the No. 1 debut on both the Streaming and Songs charts with “This Is America.” His previous chart peak was No. 22 Digital and No. 23 Streaming with 2017’s “Redbone.” His album catalogue also picked up significant increases, with Awaken, My Love re-entering the Billboard Canadian Albums chart at 46 (+155%) and Because The Internet re-entering at 73 (+194%).

– All data courtesy of SoundScan with colour commentary provided by Nielsen Music’s Canadian director, Paul Tuch.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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