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FYI

Patiently Awaiting The Meteorite - 'Electrified'

Patiently Awaiting The Meteorite – ‘Electrified’ (Unda In Choc): Electro dance-funk juiced to perfection by an already successful composer/production trio helmed by Montreal's Gran

Patiently Awaiting The Meteorite - 'Electrified'

By David Farrell

Patiently Awaiting The Meteorite – ‘Electrified’ (Unda In Choc): Electro dance-funk juiced to perfection by an already successful composer/production trio helmed by Montreal's Grand Brothers (Dominique and Sylvain Grand) and Martin ‘Dee’ Granger. The team may not be household names (yet), but their work has them credited on a reel of TV, film, globally branded commercials and top-selling LPs by Bran Van 3000, Kevin Parent and Cirque Du Soleil.


Now, with FACTOR funding, they have set their sights on the Ibiza and Miami twister sets with a debut single included on the debut Canyon Diablo album that has its release May 18.

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PATM's musical motif can be heard in antecedents such as Soft Cell and Crystal Castles, the accompanying video credits read like a movie-reel, and their production is bijou ne plus ultras.

Facebook – https://www.facebook.com/patientlyawaitingthemeteorite/

Twitter – https://twitter.com/PATMband

Instagram –

Website – http://patientlyawaitingthemeteorite.band/

Email: info@patm.band
Phone: 514.992.4590

 

 

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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