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FYI

Music Biz Headlines, Jan. 17, 2018

Bruce Allen offers sage advice, and Johnny Cash's famed Folsom Prison concert is being chronicled. Also making headlines are Stephan Moccio in The Launch, Facebook changes, Janis Joplin, Burdock Piano Fest, Bono, Gotye, Lana Del Rey, and Tune-Yards.

Music Biz Headlines, Jan. 17, 2018

By Kerry Doole

"Artists today have more power than they realize": Bruce Allen

The veteran Canadian artist managerhas done far more than survive. He has, in fact, been something of a pioneer – MBW


Johnny Cash documentary film to chronicle Folsom Prison concert

January 2018 marks the 50th anniversary of the famed show recorded at the infamous California prison – Stephen L. Betts, Rolling Stone

Niagara composer Stephan Moccio part of new series The Launch

The hit songwriter will be a mentor and producer in two episodes, joining Fergie and Boy George to select one of five hopeful singers for a life-changing push in the music biz  – John Law, Niagara Falls Review

How musicians can make the most out of Facebook's upcoming changes

As an independent recording artist, I want to help calm the storm, demystify what this means, and share exactly what I’ll be doing to make this work for my music brand – Leah McHenry, Digital Music News

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Janis Joplin: the singer who screamed a very American pain

With her raw, anguished voice, Joplin – who would have been 75 this month – was a hippy icon. But on Piece of My Heart she became something darker still – Nick Coleman, The Guardian

How a 70-year-old subway singer landed a record deal

A year ago, Bill Hudson was singing doo-wop with a group of seniors at the 34th Street Herald Square station. Now, the 70-year-old Bronx resident is fronting a 12-piece rock band, John the Martyr, performing in hip clubs – Raquel Laneri, New York Post

The Burdock Piano Fest casts the net wide

“Why don’t we bring in a really nice piano for a week, and just program a week of piano shows, and get people excited about that?” – Burdock booker Charlotte Cornfield on the festival's origins – Sara Constant, The Whole Note

Bono’s fund makes its first Fintech investment, backing Acorns

Financial technology startups are grabbing a greater share of capital from investors. Now Bono is getting in on the action with The Rise Fund that he co-founded  – Julie Verhage, Bloomberg

'A relic of long-gone possibility': how Gotye fell in love with a rare, forgotten synth

When Wally de Backer first heard the ondioline, an obsession began that took over years of his life  – Brigid Delaney, The Guardian

Lana Del Rey was understated yet confident at the Air Canada Centre

Wiser and more focused on the search for personal strength, the singer has become the patron saint of low-energy wallflowers with rich interior lives – Kristel Jax, NOW

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Music Reviews: Cadence Weapon, Xylouris White, Scott Hamilton Trio, Corrosion of Conformity

An eclectic list ranges from Canadian hip-hop to mellow jazz to hardcore – Stuart Derdeyn, Vancouver Sun

Tune-Yards: ‘The shared experience of music is sacred’

Merrill Garbus, frontwoman of the art-pop act, talks about white privilege, female producers and dance music – Holly Williams, The Observer

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Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.
Matt Jelonek/Getty Images

Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.

Chart Beat

Sum 41 Scores Second Alternative Airplay No. 1 This Year With ‘Dopamine’

The band's second and third No. 1s have led over two decades after its first in 2001.

After earning its first No. 1 on Billboard’s Alternative Airplay chart in over two decades earlier this year, Sum 41 scores another as “Dopamine” rises a spot to No. 1 on the Nov. 30-dated survey.

The song follows the two-week Alternative Airplay command for “Landmines” in March. The latter led 22 years, five months and three weeks after Sum 41’s first No. 1, “Fat Lip,” in August 2001, rewriting the record for the longest break between rulers for an act in the chart’s 36-year history. It shattered the previous best test of patience, held by The Killers, who waited 13 years and six months between the reigns of “When You Were Young” in 2006 and “Caution” in 2020.

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