Music Biz Headlines, April 19, 2021
Blue Peter frontman Paul Humphrey (pictured) is remembered, Canadian summer music fests are forced to cancel, and Keeper E. addresses the climate crisis. Also in the headlines are Nathan Fleet, Music on Main, Encore Records, Dany Laj, Spotify, WMG, AI songs, Bjorn Ulvaeus, Liona Boyd, David Bowie, Diane Warren, the Stones, and Chet Baker.
By Kerry Doole
Facing the music: Summer concert festival organizers see no path ahead in pandemic
Summer 2021 was supposed to mark the triumphant return of Canadian music festivals. Instead, it’s ushering in another season of disappointment. As Covid-19 cases rage across the country, many of Canada’s beloved summer music events are falling like dominoes as organizers abandon any hope of a return this year. Since the start of April, RBC Bluesfest in Ottawa, Country Thunder festivals in Craven, Sask. and Calgary, as well as folk festivals in Winnipeg and Edmonton, have announced cancellations. – David Friend, CP
Singer Paul Humphrey made Blue Peter seem ‘too cool to be Canadian’
In 1983, the Canadian synth-pop New Wave band Blue Peter accompanied its song Don’t Walk Past with a video marked by a noir-futurist aesthetic that was cutting-edge. The main attraction was front man Paul Humphrey, a telegenic singer of the debonair and baritone Bryan Ferry kind. “I actually thought the video was too cool to be Canadian," said Barenaked Ladies co-founder Steven Page, a suburban teenager in the early 1980s. – Brad Wheeler, Globe and Mail
Hinshaw letter gives hints on when Alberta entertainment venues may reopen from Covid-19
A letter penned by Alberta`s top doctor outlined a capacity plan for summer festivals and performances. The letter details specific timelines for what could be possible this summer amid the ongoing pandemic. – Phil Heidenreich Global News
Must-watch music video: The tide is high but Keeper E. is holding on
A fresh new voice in the Halifax scene that's ready to talk about the climate crisis. Adelle Elwood—better known by her artist moniker Keeper E.—gives life to climate conscious claustrophobia through split-screen in her new video. – Alec Martin, The Coast
How many streams does a musician need to buy a guitar pic? Just ask Nathan Fleet
A musician’s worth isn’t what it used to be. And it’s all because of streaming. Just ask Nathan Fleet, he’s done the math. The Hamilton-based musician released his last album, “Love Hate City,” in 2017 when musical downloads were still the in-thing. People would pay for a song on iTunes for 99 cents and the artist would receive about 60 cents from that. – Graham Rockingham, Hamilton Spectator
Music on Main presents five nights of music and conversation with Listening. Together.
Music on Main has announced a free online festival running from May 14 to 18 called Listening. Together. Performers include violinist Chloe Kim, cellist Jonathan Lo, santour player Saina Khaledi, pianist Rachel Kiyo Iwaasa, flutist Mark Takeshi McGregor, percussion duo Infamy Too! (Julia Chien & Aaron Graham), and voice and guitar duo Dálava (Julia Ulehla & Aram Bajakian). – Steve Newton, Georgia Straight
The Week in Music | April 19-25 • The Short List: 8 titles you want to hear
Everything (and everyone) old is new again this week. Nothing wrong with that.. – Darryl Sterdan, The Tinnitist
The empty hill: a look at the impact of a second year without the folk fest
In a bummer new tradition, the Edmonton Folk Music Festival recently pandemic-pulled the plug on this year’s Aug. 5-8 event Monday morning — notably a week earlier than they did in 2020. It’s another cultural body blow. – Fish Griwkowsky, Edmonton Journal
Cheers to 40 years! Encore Records in Kitchener celebrates four decades of music
Generations of music lovers have built their own personal soundtracks thanks to Encore Records. That list includes this journalist. – Marshall Ward, Waterloo Chronicle
Grandmothers doing it for themselves: Canadian bubbies hold a virtual benefit concert to help their African counterparts
Aired on April 15, the 90-minute virtual concert of music, dance, storytelling and testimonials streams featured performers including Jackie Richardson, Lorraine Klaasen, the National Ballet of Canada, Fredericton singer-songwriter David Myles, traditional Québécois musical trio Genticorum and Forte - Toronto Gay Men’s Chorus. Former BNL singer Steven Page, the event’s concert director, contributed a song. – Brad Wheeler, The Globe and Mail
On Our Radar: Dany Laj & the Looks get the vintage vibe perfect in video for "Don't Keep Me Guessin'"
With the video for “Don’t Keep Me Guessin’” by Dany Laj & the Looks, the first thing that hits you is the way that Laj and bassist Jeanette Dowling look like they’ve just hit the Motherlode at Little Miss Vintage on Commercial Drive. – Mike Usinger, Georgia Straight
International
Warner Music Group and Spotify strike podcast development deal
Warner Music Group (WMG) and Spotify have entered into a new partnership that will see the two companies develop a series of original podcasts built around WMG’s artists’ and songwriters’ catalogs. According to WMG, the deal will see podcasts made that tell stories “behind some of the biggest hit songs and get an inside look at the work of their favorite artists and songwriters”. – Murray Stassen, MBW
Rebalancing the song economy
After half a decade of streaming-driven growth the global music business hit a speed bump in the shape of the pandemic. Live music stopped in an instant, radio boomed then dipped, and physical sales plummeted as stores closed. The music business will recover, but this enforced slowdown has had an important, unintended consequence: artists and songwriters have had to adjust to often dramatic falls in income – a light has been shone on music royalties. – Report by Mark Mulligan and Keith Jopling, Midia research
The AI Kurt Cobain song is proof we need new digital rights legislation
From AI-generated Nirvana songs to modded Geralt of Rivia voices, we need new digital rights legislation as soon as possible. – Cian Maher, The Gamer
ABBA’s Bjorn Ulvaeus urges reforms to pay songwriters their due
The pandemic's rampage through the music world has laid bare the industry's flaws, shining a bright light on "the plight of songwriters," says ABBA's Bjorn Ulvaeus.– Global Times
Prince Philip's pen pal of 40 years on private jets, sing songs and his mischievous side
Exclusive: Musician Liona Boyd tells how she “clicked” with the Duke of Edinburgh when they were introduced at a royal event in the Seventies and have sent well over a hundred letters to each other. – The Mirror
David Bowie Estate unveils The Man Who Sold the World companion album
The upcoming reissue will include unreleased material. The Man Who Sold the World is itself an oddity in the David Bowie canon. With dark, surreal lyrical themes and music that’s proto-heavy metal, the album, recorded in 1970, is an outlier, a drastic change of direction from the folk-rock that preceded it. It marked the beginning of Bowie’s nearly unparalleled run of innovative albums throughout the 1970s.– Jem Aswad, Variety
12-time Oscar nominee Diane Warren hopes for ‘awesome’ win
For a dozen and more reasons, Diane Warren would be overjoyed to win a best original song Oscar for her work in “The Life Ahead” starring Sophia Loren. A trophy for the Italian-language film’s song, “Io Si (Seen),” would be Warren’s first after 11 previous Academy Award nominations came up short. – Lynn Elber, AP
The uncomfortable reality of The Rolling Stones song 'Brown Sugar'
Rock ‘n’ roll, from its very origins, is inherently touched by darkness, but for ‘Brown Sugar’, The Rolling Stones seemed to be operating with the steadfast aim of mining the depths of rock’s densest dark matter and packaging it in a thrashing little ditty. It might not sound that way on the melodic surface, but few songs have a darker undercurrent than this troubled 1971 icon. – Tom Taylor, Farout
Chet Baker: In retrospect, a high priest of Cool
Some music from jazz legend Chet Baker this weekend - actually, the attraction for me was Renè Thomas, who was an extraordinary guitarist. But we'll go with Baker too. This one was recorded by RAI on April 15, 1962 at a club in Bologna, Italy. – Gordon Skene, Past Daily