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Meet the 2021 Juno Nominees: Lindsay Ell

From now until the 2021 Juno Awards are presented on June 6, we will offer this weekly column to help you get to know some of the nominees in all categories a little better. Here we profile a Nashville-based rising country star.

 Meet the 2021 Juno Nominees: Lindsay Ell

By Jason Schneider

From now until the 2021 Juno Awards are presented on June 6, we will offer this weekly column to help you get to know some of the nominees in all categories a little better.


 

Meet the 2021 Juno Nominees: Lindsay Ell

Nominated in the category Country Album of the Year

If you’re a country music fan, you probably don’t need to be introduced to Lindsay Ell. Since releasing her 2008 debut album Consider This at the age of 19, the Calgary native now residing in Nashville has steadily risen to the upper echelons of the Canadian country music scene, becoming a perennial Canadian Country Music Association Awards nominee.

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But with her latest album, Heart Theory, Ell has broken out of that bubble to earn her first Juno nomination through a collection of songs that reflect the seven stages of grief. She’s stated that Heart Theory was born out of several traumatic incidents that occurred around the time she turned 30, but as a milestone of her first decade as a recording artist, the album demonstrates how she’s only just hitting her creative stride.

“Getting my first Juno nomination this year truly means the world to me,” Ell tells us. “It makes it even more special that I got nominated for an album that I’ve put so much of my heart and soul into. Heart Theory is my musical diary that I wanted to share with the world, so this is a big deal.”

What sets Ell apart from many of her contemporaries is that she’s equally respected for her guitar-playing prowess, something that caught the ear of her first major champion, Randy Bachman. It led her to tour with blues legend Buddy Guy, but soon Ell was setting her sights on becoming an all-around modern country artist in the style of Keith Urban and Brad Paisley, both of whom she’s also toured with in recent years, on top of sharing the stage with other major stars since making her Grand Old Opry debut in 2014.

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“If you put John Mayer, Sheryl Crow, and Keith Urban in a blender, you’d get close to how I’d describe my sound,” she says, although on Heart Theory Ell wanted to put the focus more squarely expressing some of her deepest emotions through her songwriting. “I got into this business to change people, to make them feel something. So, it was important to me to get really honest and say that all of us have skeletons in the closet, but those things make us who we are.”

Although Heart Theory has received international critical praise since its release last August, like all artists Ell has felt frustration over not being able to present it live to her growing fan base. However, she’s tried to compensate by staying in touch with her audience online as best she can, something that’s hardly surprising given that she’s twice been named the CCMA’s Interactive Artist of the Year.

“The past year has definitely been full of some challenges for sure, but I honestly am looking back on it as a gift as well,” she says. “I have learned so much about my fans, and new ways to engage with them. Not only new social media channels, but even just being more intentional about everything I post. I think this past year has been a really healthy reset for a lot of us, and has helped us lean into technology in new ways I don’t think we would’ve taken the time to learn before.”

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As country music continues to evolve, its clear that artists like Lindsay Ell are at the forefront in challenging accepted norms. Heart Theory is surely just the tip of the iceberg.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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