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FYI

Jesus Is King On This Week's Albums Chart

Kanye West’s multi-media gospel protestation, Jesus Is King, debuts at No.

Jesus Is King On This Week's Albums Chart

By FYI Staff

Kanye West’s multi-media gospel protestation, Jesus Is King, debuts at No. 1 on the Billboard Canadian Albums chart this week, racking up 16,000 total consumption units, mainly through its having generated 17.9-million on-demand streams. It's his seventh chart-topping album and second consecutive smash, following Ye in 2018. Three of his previous albums also have significant consumption increases, as The Life of Pablo rockets 159-66 (+51%), My Beautiful Dark Twisted Fantasy bullets 189-114 (+30%) and Graduation re-enters at 144 (+26%).


Pony, the third and first charted album from Brit romanticist Rex Orange County, debuts at 3, achieving the highest album sales total in the week.

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Quebec neo-classical pianist Alexandra Streliski’s Adisq-winning album Inscape album returns to the chart, rocketing 174-8, matching its highest chart peak reached when it debuted in October 2018.

Walk Off the Earth’s Here We Go debuts at 11, giving the band its highest-charting album since Sing It All Away peaked at 2 in June 2015.

Other debuts in the top 50 include Nashville quintet Old Dominion’s self-titled album, at 21 (and the No. 1 Country Album of the week); James Blunt’s Once Upon A Mind, at 40; and Headstones’ Peopleskills, at 45.

In its first full week of release, Selena Gomez’s Lose You To Love Me goes straight to No. 1 on the Streaming and Digital Songs charts. It marks her first No. 1 Streaming song chart-topper, surpassing the 2nd place peak of her 2017 duet with Kygo on It Ain’t Me, and her first Digital No. 1 —topping the runner-up 2nd place status of It Ain’t Me and 2015’s Good For You.

All data courtesy of SoundScan with additional detail provided by Nielsen Canada Director Paul Tuch.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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