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Jay Whiss: Dark Cloud

The Toronto-based rapper has made a mark with Prime Boys. This title cut from a solo EP out this week features powerful lyrics delivered with clarity atop a sparse groove, accompanied by a beautifully shot black and white video.

Jay Whiss: Dark Cloud

By Kerry Doole

Jay Whiss -  Dark Cloud (UMC): This is the title track from an EP the noted Toronto-based rapper releases today (June 7). 


It reflects the impact upon Whiss of a tragedy last Canada Day when he lost two friends to gun violence in downtown Toronto (Kosi Prime, assistant manager of one of Whiss's projects, the rap trio Prime Boys, and close friend and collaborator Smoke Dawg).

In a press release, Whiss notes that "music has always gotten me through things. It’s like therapy. What happened is a dark cloud that can never be lifted; there’s just too much pain. But you can get through it.”

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The cut features powerful lyrics delivered with clarity atop a sparse groove, accompanied by a beautifully shot black and white video directed by Elliot Clancy Osberg. It could, however, be argued that lines such as "I don't even know what niggas are against me, before I die I'm taking niggas with me" don't exactly defuse a tense situation.

Guests on the EP include Pro Logic (Meek Mill, Post Malone, Lil Wayne), 1mind (French Montana) Amir Jamm (Smoke Dawg, Prime Boys) SAFE, and Jimmy Prime.

Jay Whiss first made a splash when he was featured on the 2016 debut mixtape by friend and collaborator, multi-platinum producer Murda Beatz, while such solo singles as Watch This and Welcome To The Life featured on Drake’s OVO Sound Radio in recent years.

The acclaimed release of Koba World, the 2018 album from the Prime Boys collective, further boosted Whiss' profile.

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Great Lake Swimmers
Robert Georgeff

Great Lake Swimmers

FYI

Music News Digest: National Music Centre Opens OHSOTO’KINO Recording Bursary for Indigenous Artists, Great Lake Swimmers Hit The Road

Also this week: Toronto's Our Music Festival returns for a third edition, Wavemakers: Music Futures Conference & Showcase launches in Halifax.

OHSOTO’KINO is an Indigenous programming initiative from the National Music Centre focusing on three elements: creation of new music in NMC’s recording studios, artist development through a music incubator program and exhibitions via the annually updated Speak Up! gallery. The OHSOTO’KINO Recording Bursary program is open to First Nations, Métis and Inuit artists. Two submissions — one for contemporary music, one for traditional genres — will be awarded a one-week recording session at Studio Bell to produce a commercial release. The deadline to apply here is March 1. Past recipients of the bursary include Juno winner Joel Wood, Twin Flames and PIQSIQ.

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