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Gino Vannelli Just Doesn't Wanna Stop

Gino Vannelli–known for a string of chart-toppers that include “I Just Wanna Stop,” “Living Inside Myself,” “Black Cars,” and “Wild Horses,” releases his 20th album April 5, entitled

Gino Vannelli Just Doesn't Wanna Stop

By David Farrell

Gino Vannelli–known for a string of chart-toppers that include “I Just Wanna Stop,” “Living Inside Myself,” “Black Cars,” and “Wild Horses,” releases his 20th album April 5, entitled Wilderness Road.


“Combined with a more narrative approach to the lyrics, Wilderness Road is altogether a musical endeavor set apart from all others I have undertaken in my career,” the Montreal-born singer and one-time sex symbol allows. “It’s filled with a host of stories I have kept close to my heart for the last five years.”

Since launching himself in 1978 with the A&M hit “I Just Wanna Stop,” the Montreal-born, California-based singer has sold more than 10 million albums. It's worth noting that four years earlier he earned a sizeable home-country hit with "People Gotta Move" that was contained on his second album for the label, entitled Powerful People. On the new album–set for release on his own imprint, SoNo Recording Group (distributed internationally through Dominique Zgarka’s ILS Group)–Vannelli ups the ante by playing the majority of the instruments on the 12 tracks that include titles such as “Ghost Train, “Wrestling with Angels” and “The Long Arm of Justice.”

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Vannelli will be performing three shows in Canada before embarking on a tour of Hawaii and the US next month. He opens at Toronto’s Bluma Appel Theatre on April 24, then is set for two shows at the Théâtre Maisonneuve at Place des Arts in Montreal on April 26 and 27. Toronto tickets scale between $87 and $187.

Before this, he is featured on the ‘70s Rock and Romance Cruise, March 25-30, that includes Foreigner, Boz Scaggs, Leo Sayer, Little River Band, and tribute bands covering Queen, the Bee Gees, the Eagles, and Credence Clearwater Revival.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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