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Crown Lands Release Final Indigenous Song Trilogy, Announce Tour

Canadian prog-rock duo Crown Lands, which just won the 2021 Juno Award for Breakthrough Group of the Year, has just released the final song in a trilogy about Indigenous rights.

Crown Lands Release Final Indigenous Song Trilogy, Announce Tour

By Karen Bliss

Canadian prog-rock duo Crown Lands, which just won the 2021 Juno Award for Breakthrough Group of the Year, has just released the final song in a trilogy about Indigenous rights. White Buffalo is produced by David Bottrill (Peter Gabriel, Tool, Muse, Godsmack, King Crimson), the music video directed by Alimzhan Sabir


The band, whose name means territory belonging to the monarch, or, more accurately, stolen from First Peoples, previously released “Mountain” about colonization and “End of the Road” about missing and murdered Indigenous women and girls (a staggering 1181 between 1980 and 2012, according to the National Inquiry’s report, released in 2019).

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’White Buffalo is the third instalment in our trilogy of songs about Indigenous rights,” reads a collective statement in the press release from Cody Bowles (vocals and drums) and Kevin Comeau (guitar, bass, and keys). Mountain is what happened.  End of the Road is what is happening. White Buffalo is manifesting what will happen: overcoming oppression and rising up to reclaim one’s land.

“The White Buffalo is a symbol of manifestation,” they explain. “When Colonizers came to North America, they tried to wipe out the Buffalo to starve Indigenous people to death. The buffalo are still here. We are too, and together we’ll overcome.”

Bowles is half Mi'kmaq, an Indigenous tribe from Nova Scotia, and Comeau is Jewish. The two met in Oshawa, Ontario, and formed the band in 2014. – Continue reading this Karen Bliss feature on the Samaritanmag website.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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